In 1997, Ashish Avikunthak filmed a sequence -- a friend and artist, Girish Dahiwale, immersing an idol of Ganesha at Chowpati beach, Bombay on the last day of the Ganapati festival. A year later, he committed suicide. After twelve years, Avikunthak completed the film. Using his footage as the leitmotif, this film is a requiem to a dead friend, and metamorphosises into an “existential inquiry into the idea of death”.
| Directing | Ashish Avikunthak | Director |
| Production | Ashish Avikunthak | Producer |
| Writing | Ashish Avikunthak | Writer |
| Crew | Manoj Peter | Cinematography |
| Crew | Indranil Mukherjee | Cinematography |
| Crew | Praveen K. Bangari | Cinematography |
| Crew | Arindam Bhattacharjee | Cinematography |
| Crew | Anirudh Garbyal | Cinematography |
| Editing | Pankaj Rishi Kumar | Editor |
| Directing | Moloy Mukherjee | Director |
| Crew | Lalit Tiwari | Cinematography |
| Camera | Satyajit Pande | Director of Photography |
| Sound | Pritam Das | Sound |