The differences of origin and poetics between José Martínez Suárez and Manuel Antin, representatives of the cinema of the ‘60s’ Generation, are proof of the heterogeneity of the period and, at the same time, share the creation of a renovating and personal aesthetic that observes reality with a critical eye.
| Directing | María Adela González | Director |
| Writing | María Adela González | Writer |
| Editing | María Adela González | Editor |
| Art | María Adela González | Art Direction |
| Sound | María Adela González | Sound |
| Production | María Adela González | Producer |
| Production | María Adela González | Executive Producer |
| Camera | Nelson Arrondo | Director of Photography |
| Camera | Melissa Paff | Director of Photography |
| Art | Glenna Ross | Art Direction |
| Sound | Nelson Arrondo | Sound |
| Sound | Patricio Mac Loughlin | Sound |
| Sound | Guillermo Coronel | Music |
| Sound | Emilia Lazecki | Music |
