"Let's say someone has been involved in a kind of love affair in a past that has become a ruin. A fear with two great faces weaves itself, forgetting. It pierces an idea of time, of personal pain, of public anguish. let's say that a place can lead to memories of love and suffering being exorcised. a place can impose itself, make you access the rarefied memory of a feeling that insists on remaining present."
| Directing | Miguel Bonneville | Director |