The film juxtaposes/compares two museums: The Museum of Art, Ein Harod, Israel, which Samuel Bickels (1909-1975) built there in 1948, and The Menil Collection in Houston, Texas, built by Renzo Piano (b. 1937) 1986 . The method of natural lighting in Bickels‘s construction was the direct model for Piano, who adopted for his construction at the request of its patroness Dominique de Menil.
| Sound | Jochen Jezussek | Sound Designer |
| Production | Irene von Alberti | Producer |
| Directing | Heinz Emigholz | Director |
| Camera | Heinz Emigholz | Camera Operator |
| Camera | Till Beckmann | Camera Operator |
| Production | Frieder Schlaich | Producer |
| Crew | Till Beckmann | Post Production Supervisor |
