A young lawyer defends a drifter accused of murder that he has already confessed to. He asks a retired, legendary lawyer for help.
| Directing | Boris Sagal | Director |
| Writing | Henry Denker | Screenplay |
| Writing | Al Dewlen | Novel |
| Production | George Seaton | Producer |
| Production | William Perlberg | Producer |
| Production | Gordon Cornell Layne | Associate Producer |
| Camera | Philip H. Lathrop | Director of Photography |
| Editing | Hugh S. Fowler | Editor |
| Sound | Johnny Green | Original Music Composer |
| Art | George W. Davis | Art Direction |
| Art | Paul Groesse | Art Direction |
| Art | Henry Grace | Set Decoration |
| Art | Hugh Hunt | Set Decoration |
| Costume & Make-Up | Mary Keats | Hairstylist |
| Costume & Make-Up | William Tuttle | Makeup Supervisor |
| Costume & Make-Up | Ron Berkeley | Makeup Artist |
| Costume & Make-Up | Agnes Flanagan | Hairstylist |
| Costume & Make-Up | John Truwe | Makeup Artist |
| Art | Robert Schultz | Props |
| Directing | Al Shenberg | Assistant Director |
| Directing | Richard Lang | Second Assistant Director |
| Directing | Donald Roberts | Assistant Director |
| Sound | Bernie Hurlen | Sound Recordist |
| Sound | Franklin Milton | Recording Supervision |
| Sound | Larry Hadsell | Boom Operator |
| Sound | Larry Jost | Sound Mixer |
| Crew | Dick Crockett | Stunts |
| Crew | Gil Perkins | Stunts |
| Camera | Joe Jackman | Camera Operator |
| Camera | Cliff King | First Assistant Camera |
| Costume & Make-Up | Sylvia Posner | Wardrobe Master |
| Editing | Jules Nayfack | Assistant Editor |
| Directing | Betty A. Griffin | Script Supervisor |
