Set against the badlands of Australia where the English rule with a bloody fist and the Irish endure, Ned Kelly discovers he comes from a line of Irish rebels — an uncompromising army of cross dressing bandits immortalised for terrorising their oppressors back in Ireland. Fuelled by the unfair arrest of his mother, Kelly recruits a wild bunch of warriors to plot one of the most audacious attacks of anarchy and rebellion the country has ever seen.
You can now watch True History of the Kelly Gang online on the following streaming providers in the United States.
| Production | Des Hamilton | Casting |
| Production | Sue Bruce-Smith | Executive Producer |
| Production | Nikki Barrett | Casting |
| Production | Vincent Sheehan | Executive Producer |
| Production | Liz Watts | Producer |
| Production | David Aukin | Executive Producer |
| Production | Sam Lavender | Executive Producer |
| Sound | Frank Lipson | Sound Designer |
| Sound | Frank Lipson | Supervising Sound Effects Editor |
| Sound | Frank Lipson | Sound |
| Crew | Zev Eleftheriou | Stunt Coordinator |
| Art | Rebecca Cohen | Set Decoration |
| Visual Effects | Angelo Sahin | Special Effects Supervisor |
| Art | Janie Parker | Art Direction |
| Sound | Steve Single | Sound Re-Recording Mixer |
| Sound | Steve Single | Supervising Dialogue Editor |
| Production | Peter Carey | Executive Producer |
| Writing | Peter Carey | Novel |
| Production | Hal Vogel | Producer |
| Directing | Justin Kurzel | Director |
| Production | Justin Kurzel | Producer |
| Writing | Shaun Grant | Screenplay |
| Production | Shaun Grant | Executive Producer |
| Sound | Jed Kurzel | Original Music Composer |
| Editing | Nick Fenton | Editor |
| Art | Karen Murphy | Production Design |
| Costume & Make-Up | Alice Babidge | Costume Designer |
| Production | Emilie Georges | Executive Producer |
| Costume & Make-Up | Sheldon Wade | Special Effects Makeup Artist |
| Sound | Kirsty Whalley | Scoring Mixer |
| Costume & Make-Up | Kate Birch | Hair Supervisor |
| Costume & Make-Up | Kate Birch | Makeup Supervisor |
| Art | Michael Bell | Set Designer |
| Crew | Jenny Kent | Dialogue Coach |
| Sound | Andrew Neil | Sound Designer |
| Sound | Andrew Neil | Sound Re-Recording Mixer |
| Sound | Andrew Neil | Sound Effects |
| Crew | Fiona Nix | Unit Publicist |
| Camera | Ben King | Still Photographer |
| Sound | Peter Cobbin | Scoring Mixer |
| Costume & Make-Up | Elly Kamal | Costume Supervisor |
| Production | Natalie Wall | Casting Associate |
| Camera | Nick Forster | First Assistant "B" Camera |
| Camera | Thomas Hayes | Second Assistant "B" Camera |
| Sound | Jemma Burns | Music Supervisor |
| Crew | Philli Anderson | Stunts |
| Crew | Scott Warwick | Armorer |
| Sound | Andrew Ramage | Sound Recordist |
| Camera | Ari Wegner | Director of Photography |
| Art | Annette Mackie | Concept Artist |
| Lighting | Ruru Reedy | Gaffer |
| Camera | Ron Coe | First Assistant "A" Camera |
| Production | Elan Jones | Casting |
| Editing | John Erasmus | Assistant Editor |
| Costume & Make-Up | Kirsten Veysey | Hair Designer |
| Costume & Make-Up | Kirsten Veysey | Makeup Designer |
| Sound | Lisa Simpson | Foley Mixer |
| Camera | Glenn Arrowsmith | Key Grip |
| Production | Naima Abed | Executive Producer |
| Directing | Scott Lovelock | First Assistant Director |
| Art | Juliet John | Art Department Coordinator |
| Costume & Make-Up | Lee Norris | Makeup Artist |
| Costume & Make-Up | Lee Norris | Hairstylist |
| Art | Tim McGaw | Prop Designer |
| Sound | Mark D'Angelo | Sound Recordist |
| Sound | Christian Scallan | Music Editor |
| Camera | Michael Vivian | Dolly Grip |
| Production | Brad Feinstein | Producer |
| Production | Brad Feinstein | Executive Producer |
| Directing | Angella McPherson | Second Assistant Director |
| Production | Daniel Battsek | Executive Producer |
| Sound | Niels Gabriels | Sound Effects |
| Camera | Tim Walsh | Steadicam Operator |
| Production | Joseph Ingrassia | Executive Producer |
| Crew | Courtney Mayhew | Unit Publicist |
| Production | Paul Ranford | Producer |
| Art | Shelley Williams | Set Dresser |
| Editing | Daniel Newfield | First Assistant Editor |
| Costume & Make-Up | Ellen Stanistreet | Costumer |
| Sound | Troy Mauri | Sound Effects |
| Costume & Make-Up | Jane Summers-Eve | Costumer |
| Sound | Robert Ames | Orchestrator |
| Directing | Jay Corry | Second Second Assistant Director |
| Art | Nikki Peace | Set Dresser |
| Art | Jeremy Saunders | Title Designer |
| Art | Grant Slotboom | Construction Manager |
| Crew | Daniel Solis | Stunts |
| Camera | John Regan | Best Boy Grip |
| Production | Anna Steel | Production Manager |
| Crew | Daniel Carlisle | Special Effects Technician |
| Art | Anna McEwan | Graphic Designer |
| Lighting | Shylo Tui | Best Boy Electric |
| Directing | Sam Hewison | Third Assistant Director |
| Production | Raphaël Perchet | Executive Producer |
| Camera | Sam Steinle | Second Assistant "A" Camera |
| Art | Alice Gridley | Art Department Coordinator |
| Art | Amir Shayan | Draughtsman |
| Costume & Make-Up | Samara Gildea | Makeup Artist |
| Costume & Make-Up | Larry Van Buyhoven | Prosthetic Designer |
| Art | Shaun Vancw | Construction Foreman |
| Production | Maile Dougherty | Production Supervisor |
| Production | Thomas Hawkins | Associate Producer |
| Production | Sylvia Warmer | Associate Producer |
