The film is structured around the mystical idea of the mandala, in this case pictures of (fake) suns, galaxies and planets. These images are in sync with an Indian Bollywood song to enhance the pseudo-psychedelic effects. The film material covers a very wide range of found footage from various sources and decades from the Thirties (invisible woman) to the end of the 1980s.
| Directing | Stella Friedrichs | Director |
| Directing | Thomas Draschan | Director |