During the Blitz of World War II, a female screenwriter (Gemma Arterton) works on a film celebrating England's resilience as a way to buoy a weary populace's spirits. Her efforts to dramatise the true story of two sisters (Lily Knight and Francesca Knight) who undertook their own maritime mission to rescue wounded soldiers are met with mixed feelings by a dismissive all-male staff.
You can now watch Their Finest online on the following streaming providers in the United States.
| Directing | Lone Scherfig | Director |
| Sound | Rachel Portman | Music |
| Costume & Make-Up | Elizabeth Yianni-Georgiou | Hair Designer |
| Costume & Make-Up | Elizabeth Yianni-Georgiou | Makeup Designer |
| Production | Zygi Kamasa | Executive Producer |
| Production | Stephen Woolley | Producer |
| Sound | Glenn Freemantle | Sound Designer |
| Sound | Glenn Freemantle | Supervising Sound Editor |
| Sound | Ben Barker | Supervising Sound Editor |
| Sound | Peter Burgis | Foley |
| Camera | Sebastian Blenkov | Director of Photography |
| Production | Christine Langan | Executive Producer |
| Editing | Lucia Zucchetti | Editor |
| Production | Amanda Posey | Producer |
| Costume & Make-Up | Charlotte Walter | Costume Designer |
| Production | Lucy Bevan | Casting |
| Art | Liz Griffiths | Set Decoration |
| Art | Alice Normington | Production Design |
| Production | Finola Dwyer | Producer |
| Sound | Martin Trevis | Sound Recordist |
| Production | Kate Rhodes James | Casting |
| Production | Peter Watson | Executive Producer |
| Camera | Nicola Dove | Still Photographer |
| Production | Richard Mansell | Associate Producer |
| Sound | Andrew Caller | Sound Re-Recording Mixer |
| Crew | Dan Hirst | Stunts |
| Production | Elizabeth Karlsen | Producer |
| Production | Jim Spencer | Line Producer |
| Sound | Christoph Bauschinger | Music Editor |
| Writing | Lissa Evans | Novel |
| Production | Robert Norris | Executive Producer |
| Sound | Glen Gathard | Foley |
| Directing | Irene Chawko | Script Supervisor |
| Sound | Nina Hartstone | ADR Editor |
| Sound | Nina Hartstone | Supervising Dialogue Editor |
| Lighting | Brian Beaumont | Gaffer |
| Visual Effects | Alan Banis | Visual Effects Supervisor |
| Art | Howard Watkins | Title Designer |
| Production | Ed Wethered | Executive Producer |
| Costume & Make-Up | Eva Marieges Moore | Makeup Artist |
| Art | Lynne Huitson | Supervising Art Director |
| Art | Craig Price | Property Master |
| Writing | Gaby Chiappe | Screenplay |
| Crew | Gavin Lee Lewis | Stunts |
| Art | Jonathan Houlding | Art Direction |
| Production | Thorsten Schumacher | Executive Producer |
| Sound | Laura Katz | Music Supervisor |
| Art | Gareth Cousins | Art Direction |
| Crew | Polly Duval | Post Production Supervisor |
| Sound | James Wichall | Dialogue Editor |
| Costume & Make-Up | Hannah Walter | Costume Supervisor |
| Production | Vanessa Baker | ADR Voice Casting |
| Crew | Jo McLaren | Stunt Coordinator |
| Visual Effects | Chris Reynolds | Special Effects Supervisor |
| Costume & Make-Up | Bella Ava Georgiou | Makeup Artist |
| Camera | Kevin Foy | Key Grip |
| Crew | Jade Poole | Special Effects Coordinator |
| Art | Nic Pallace | Supervising Art Director |
| Lighting | Ian Glenister | Rigging Gaffer |
| Visual Effects | Erica Winkler | Visual Effects Coordinator |
| Costume & Make-Up | Hanna Canfor | Hairstylist |
| Costume & Make-Up | Catriona Johnstone | Hairstylist |
| Production | Andy Surry | Production Coordinator |
| Directing | Jack Ravenscroft | First Assistant Director |
| Production | Ivan Dunleavy | Executive Producer |
| Production | Kate Hazell | Unit Production Manager |
| Production | Emma Crompton | Casting Assistant |
| Art | Simon Baber | Location Scout |
| Visual Effects | Daniel Nielsen | Visual Effects Supervisor |
| Directing | James Manning | Second Assistant Director |
| Crew | Simon McLaren-Clark | Stunts |
