A romantic couple are transformed into skeletons via X-Rays. The film combines two very recent innovations: Wilhelm Roentgen's discovery of X-rays in 1895, and Georges Méliès' accidental realisation of the special-effects potential of the jump-cut in 1896.
| Production | George Albert Smith | Producer |
| Writing | George Albert Smith | Writer |
| Art | George Albert Smith | Production Design |
| Directing | George Albert Smith | Director |
