In the nineteenth film in the series, in May 1919, Indy is working as a translator at the historic Paris Peace Conference. He meets up with T.E. Lawrence once more, but finds his ideals have changed a lot since the start of the war. Indy then decides to finally head home to Princeton - even though it means having to face his father. He gets reacquainted with his childhood friend Paul Robeson, who becomes the target of racism when they visit New York City.
| Directing | David Hare | Director |
| Writing | Jonathan Hales | Screenplay |
| Production | George Lucas | Executive Producer |
| Production | Rick McCallum | Producer |
| Sound | Laurence Rosenthal | Original Music Composer |
| Camera | David Tattersall | Director of Photography |
| Art | Gavin Bocquet | Production Design |
| Editing | Pat Hay | Editor |
| Production | Jane Jenkins | Casting |
| Costume & Make-Up | Charlotte Holdich | Costume Design |
| Art | Ricky Eyres | Art Direction |
| Art | Rosalind Shingleton | Set Decoration |
| Sound | Joel McNeely | Original Music Composer |
| Production | George Konicek | Casting |
| Camera | Giles Nuttgens | Director of Photography |
| Production | Roger Mussenden | Casting |
| Art | Peter Walpole | Set Decoration |
| Editing | Paul Martin Smith | Editor |
| Production | Janet Hirshenson | Casting |
| Editing | Louise Rubacky | Editor |
| Costume & Make-Up | Trisha Biggar | Costume Design |
| Art | Ricky Eyres | Production Design |
| Production | Karen Lindsay-Stewart | Casting |
| Art | Mark Geraghty | Art Direction |
| Art | Karel Vacek | Art Direction |
| Directing | Michael Schultz | Director |
