The film revolves around the concept of soap opera. Its structure is based on the assumption that Chilean reality does not exist, but rather is an ensemble of soap operas.
Directing | Raúl Ruiz | Director |
Directing | Valeria Sarmiento | Director |
Sound | Jorge Arriagada | Original Music Composer |
Editing | Galut Alarcón | Editor |
Production | Chamila Rodríguez | Executive Producer |
Costume & Make-Up | Constanza Racz | Key Makeup Artist |
Sound | Mauricio Molina | Sound Re-Recording Mixer |
Sound | Nadine Voullième | Sound Effects Editor |
Production | Raúl Ruiz | Producer |
Editing | Valeria Sarmiento | Editor |
Sound | Nadine Voullième | Sound Mixer |
Production | Andrés Racz | Producer |
Sound | Diego Gonzalez Cid | Foley Editor |
Sound | Nadine Voullième | Dialogue Editor |
Visual Effects | Kenzo Mijares | Visual Effects |
Editing | Kenzo Mijares | Colorist |
Art | Rodrigo Bazaes | Art Direction |
Production | Leo Kocking | Producer |
Directing | Mauricio Pesutic | Assistant Director |
Sound | Felipe Zabala | Sound |
Camera | Juan Millán | First Assistant Camera |
Camera | Héctor Ríos | Director of Photography |
Art | Pía Rey | Set Decoration |
Production | Raquel Salinas | Casting |
Production | Karin Unger | Production Manager |
Art | Pía Rey | Property Master |
Sound | Ernesto Trujillo | Sound Assistant |
Directing | Carlos Millas | Continuity |
Sound | Nadine Voullième | Sound Designer |
Sound | Marco Aliaga | Foley Recordist |
Sound | Diego Gonzalez Cid | Foley Recordist |
Sound | Alfonso Segura | Foley Artist |
Sound | Mauricio Molina | Sound Designer |
Camera | Leo Kocking | Director of Photography |
Camera | Leo Kocking | Camera Operator |
Camera | Héctor Ríos | Camera Operator |
Production | Chamila Rodríguez | Production Director |
Camera | Rodrigo Avilés | Director of Photography |
Production | Galut Alarcón | Researcher |
Writing | Raúl Ruiz | Screenplay |