Set in a world not unlike mid-20th century America, The Vandal centers on Harold, whose tormented search for peace from traumatic loss results in an unexpectedly destructive awakening after he undergoes a lobotomy. When the procedure “turns his mind inside out” and his great love is suddenly gone, Harold’s desperate search intensifies.
| Directing | Eddie Alcazar | Director |
| Writing | Eddie Alcazar | Writer |
| Editing | Eddie Alcazar | Editor |
| Production | Eddie Alcazar | Producer |
| Production | Javier Lovato | Producer |
| Production | Thomas Hildreth | Producer |
| Production | Darren Aronofsky | Executive Producer |
| Production | Scott Franklin | Executive Producer |
| Production | Sandy Haddad | Executive Producer |
| Production | Ted Robbins | Executive Producer |
| Production | Matthew W. Krul | Executive Producer |
| Production | Jake Bloch | Co-Producer |
| Production | Matthew Hazelrig | Co-Producer |
| Production | Tony Candelaria | Co-Producer |
| Crew | Danny Hiele | Cinematography |
| Crew | Matthew Hazelrig | Cinematography |
| Visual Effects | Misha Klein | Lead Animator |
| Visual Effects | Kevin Glick | Animation |
| Visual Effects | Justin Kohn | Animation |
| Visual Effects | Ethan Chancer | VFX Artist |
| Art | Paul Rice | Production Design |
| Art | Calder Greenwood | Production Design |
| Art | David Offner | Art Direction |
| Crew | Maura Takeshita | Scenic Artist |
| Crew | Quinn McSherry | Scenic Artist |
| Art | Akira Beard | Painter |
| Art | Jonathan Dockery | Painter |
| Editing | Steve Forner | Editor |
| Editing | Todd Crites | Additional Editing |
| Editing | Doug Pray | Additional Editing |
| Costume & Make-Up | Francine Lecoultre | Costume Designer |
| Crew | Jason P. Walker | Special Effects |
| Crew | Steve Kaye | Mixing Engineer |
| Sound | Max Wrightson | Music Score Producer |
| Sound | Dean Hurley | Sound Re-Recording Mixer |
| Sound | Jacob Young | Sound Designer |
| Sound | Thor Flack | Sound Designer |
| Editing | Aubrey Woodiwiss | Colorist |
| Editing | Ale Amato | Color Assistant |
| Editing | Bree Brackett | Color Assistant |
| Visual Effects | Manikandan Sathyabalan | VFX Supervisor |
| Crew | Steven Goldfisher | Legal Services |
| Production | Jeannine Fisher | Casting Director |
| Art | Joshua Prigg | Storyboard Artist |
| Camera | John Sekula | First Assistant Camera |
| Camera | Simon Hayes | Second Assistant Camera |
| Directing | Stuart Sauvarin | First Assistant Director |
| Costume & Make-Up | Nicole Sanchez | Makeup & Hair |
| Costume & Make-Up | John Mark | Assistant Costume Designer |
| Costume & Make-Up | Janise Garcia | Assistant Costume Designer |
| Lighting | James Bond | Gaffer |
| Lighting | T.J. Signaigo | Best Boy Electric |
| Camera | Nicholas Kirsten | Key Grip |
| Camera | Joe Guzman | Key Grip |
| Camera | Edwin Richards | Key Grip |
| Camera | Alex Ho | Best Boy Grip |
| Camera | Jake A. Poole | Grip |
| Sound | Ethan Carranza | Sound Mixer |
| Sound | Paul Gonzales | Sound Mixer |
| Production | James Allen | Key Production Assistant |
| Visual Effects | Adam Watson | VFX Supervisor |
| Camera | James Bianchi | BTS Footage |
| Crew | Flying Lotus | Thanks |
| Crew | Steven Soderbergh | Thanks |
| Crew | Andrew Weisblum | Thanks |
| Crew | Eric Towner | Thanks |
| Crew | Jason Kolowski | Thanks |
| Crew | Luke Ciarrocchi | Thanks |
| Crew | Jonathan Keogh | Thanks |
| Sound | Kris Bowers | Original Music Composer |
| Visual Effects | Robert Morgan | Animation |
