During the Second World War, a special project is begun by the US Army Air Corps to integrate African American pilots into the Fighter Pilot Program. Known as the "Tuskegee Airman" for the name of the airbase at which they were trained, these men were forced to constantly endure harassement, prejudice, and much behind the scenes politics until at last they were able to prove themselves in combat.
You can now watch The Tuskegee Airmen online on the following streaming providers in the United States.
| Directing | Robert Markowitz | Director |
| Writing | Ron Hutchinson | Teleplay |
| Writing | Trey Ellis | Teleplay |
| Writing | Paris Qualles | Teleplay |
| Writing | Robert Williams | Story |
| Production | Robert Williams | Co-Executive Producer |
| Costume & Make-Up | Steve Marshall | Makeup Artist |
| Art | Tom Reta | Assistant Art Director |
| Sound | Stan Jones | Music Editor |
| Camera | Ron Orieux | Director of Photography |
| Sound | Mark Heyes | Music Editor |
| Costume & Make-Up | Ileane Meltzer | Costume Design |
| Costume & Make-Up | Stacye P. Branche | Key Makeup Artist |
| Camera | George Wells | Dolly Grip |
| Sound | Robert L. Harman | Sound Re-Recording Mixer |
| Production | Bill Carraro | Producer |
| Costume & Make-Up | Denise Fischer | Makeup Artist |
| Art | Ronald O. Jaynes | Construction Coordinator |
| Visual Effects | Michael Muscal | Visual Effects Supervisor |
| Visual Effects | Billy Williams | Visual Effects Coordinator |
| Crew | Ray McIntyre Jr. | Digital Effects Supervisor |
| Camera | Lindy Alsobrooks | Key Grip |
| Camera | D. Stevens | Still Photographer |
| Production | Ángela Ortiz | Casting Associate |
| Editing | David Beatty | Editor |
| Crew | Fred Cramer | Special Effects Coordinator |
| Art | Mary Louise Stoughton | Art Department Coordinator |
| Directing | Dawn Gilliam | Script Supervisor |
| Sound | Kristi Johns | Supervising ADR Editor |
| Directing | Benita Brazier | Script Supervisor |
| Costume & Make-Up | Nadyne Peoples | Key Hair Stylist |
| Art | Sue Savage | Set Designer |
| Lighting | John Janusek | Rigging Grip |
| Sound | Scott C. Evans | Boom Operator |
| Production | Frank Price | Executive Producer |
| Art | Suzanne Lapick | Property Master |
| Camera | Frank M. Holgate | Aerial Director of Photography |
| Camera | Randy Feemster | Aerial Camera |
| Sound | G. Michael Graham | Supervising Sound Editor |
| Costume & Make-Up | Vicki Jones | Makeup Artist |
| Costume & Make-Up | Heidi Kure | Set Costumer |
| Production | Carol Bahoric | Co-Producer |
| Sound | Lee Holdridge | Music |
| Art | Christiaan Wagener | Production Design |
| Art | Ernie Bishop | Set Decoration |
| Sound | Wayne Artman | Sound Re-Recording Mixer |
| Production | Robi Reed | Casting |
| Art | Russell J. Smith | Art Direction |
| Costume & Make-Up | Dana Tanner | Makeup Artist |
| Camera | David L. Butler | Aerial Director of Photography |
| Lighting | Bob Fox | Gaffer |
| Lighting | Ross Warren | Rigging Gaffer |
| Costume & Make-Up | Scott Tomlinson | Assistant Costume Designer |
| Camera | Pernell Youngblood Tyus | Camera Operator |
| Sound | Nick Alphin | Sound Re-Recording Mixer |
| Costume & Make-Up | Craig Anthony | Wardrobe Supervisor |
| Editing | Z. Jean Woods | First Assistant Editor |
