Special prosecutor John Conroy hopes to combat organized crime in his city and appoints his cop father Matt as chief investigator. John doesn't understand why Matt is reluctant, but cynical reporter Jerry McKibbon thinks he knows: he's seen Matt with mob lieutenant Harrigan. Jerry's friendship with John is tested by the question of what to do about Matt, and by his attraction to John's girl Amanda. Meanwhile, the threatened racketeers adopt increasingly violent means of defense.
Directing | Michael D. Moore | Assistant Director |
Editing | George Tomasini | Editor |
Costume & Make-Up | Edith Head | Costume Design |
Art | J. McMillan Johnson | Art Direction |
Art | Hal Pereira | Art Direction |
Art | Sam Comer | Set Decoration |
Costume & Make-Up | Wally Westmore | Makeup Supervisor |
Sound | John Cope | Sound Recordist |
Writing | Warren Duff | Screenplay |
Crew | Gordon Jennings | Special Effects |
Camera | Lionel Lindon | Director of Photography |
Art | Grace Gregory | Set Decoration |
Directing | William Dieterle | Director |
Sound | Gene Merritt | Sound Recordist |
Writing | Horace McCoy | Story |
Production | Irving Asher | Producer |
Crew | Farciot Edouart | Special Effects Technician |
Sound | Irvin Talbot | Music Director |