Three delinquents murder a prosperous farmer at an isolated farm house. One witness to the crime - the dead man's secretary - is then taken hostage. The other witness - her young son - is thrown into state of shock. Can he recover soon enough to help the police - and his father - rescue his mother before it's too late?
| Directing | William Asher | Director |
| Writing | John Hawkins | Story |
| Writing | Ward Hawkins | Story |
| Production | Jonie Taps | Producer |
| Sound | George Duning | Original Music Composer |
| Camera | Frank G. Carson | Director of Photography |
| Sound | Morris Stoloff | Conductor |
| Art | Robert Peterson | Art Direction |
| Editing | William A. Lyon | Editor |
| Art | William Kiernan | Set Decoration |
| Art | Robert Priestley | Set Decoration |
| Directing | Irving J. Moore | Assistant Director |
| Sound | Lambert E. Day | Sound |
| Sound | Arthur Morton | Orchestrator |
| Writing | Leo Townsend | Screenplay |
| Writing | David P. Harmon | Screenplay |
| Directing | John Gaudioso | Assistant Director |
| Costume & Make-Up | Hazel Keats | Hairstylist |
| Art | Charles Granucci | Props |
| Art | Harold Pann | Leadman |
| Sound | Noel Bartlett | Sound Recordist |
| Sound | Carl Miller | Other |
| Camera | Al Becker | Grip |
| Camera | Bob Coburn Jr. | Still Photographer |
| Lighting | Harold Hansen | Best Boy Electrician |
| Camera | George Le Picard | Assistant Camera |
| Camera | Val O'Malley | Camera Operator |
| Directing | Charlsie Bryant | Script Supervisor |
