The Seasoning House - where young girls are prostituted to the military. An orphaned deaf mute is enslaved to care for them. She moves between the walls and crawlspaces, planning her escape. Planning her ingenious and brutal revenge.
Writing | Conal Palmer | Writer |
Production | Michael Riley | Producer |
Writing | Adrian Rigelsford | Writer |
Production | Manuel Puro | Casting |
Costume & Make-Up | Raquel Azevedo | Costume Design |
Directing | Paul Hyett | Director |
Sound | Paul E. Francis | Music |
Writing | Paul Hyett | Writer |
Sound | Milos Momcilovic | Boom Operator |
Sound | Chris Alford | Foley |
Visual Effects | Matthew Strange | Special Effects Supervisor |
Crew | Clive Shaw | Armorer |
Sound | Julia Jones | Foley Editor |
Sound | Markus Moll | Supervising Sound Editor |
Costume & Make-Up | Rosie Lack | Assistant Costume Designer |
Camera | Robert Viglasky | Still Photographer |
Art | John-Paul Frazer | Art Direction |
Costume & Make-Up | Elle Baird | Makeup Designer |
Sound | Keith Tinman | Sound Editor |
Costume & Make-Up | Lynn Doron | Makeup Artist |
Sound | Nathaniel Kastoryano | Boom Operator |
Visual Effects | Malin Leuchovius | Visual Effects Coordinator |
Visual Effects | Jason de Vyea | Visual Effects Supervisor |
Directing | Katie Harlow | Script Supervisor |
Art | Luis San Martin | Assistant Art Director |
Art | George Morris | Property Master |
Sound | Markus Moll | Sound Re-Recording Mixer |
Production | Eduardo Rodrigalvarez | Production Manager |
Visual Effects | Daniel Nielsen | Visual Effects Supervisor |
Lighting | Dominik Palgan | Electrician |
Directing | Lola Dauda | Script Supervisor |
Lighting | Nicholas Britt | Best Boy Electric |
Camera | Adam Etherington | Director of Photography |
Art | Caroline Story | Production Design |
Camera | James Layton | "B" Camera Operator |
Camera | James Layton | Steadicam Operator |