The materiality of reversal-film is being portrayed. This analogue technology, with its exposed chemical skeleton is clashing in an anachronistic filmic gag with contemporary digital animation. Colour is not presented as a natural, but a highly constructed medium in the expierence of film. This is a short experimental-essay which is questioning canonized and hegemonic film-rituals used to build and test cinematic-images.
| Editing | Maria Luz Olivares Capelle | Editor |
| Visual Effects | Maria Luz Olivares Capelle | Animation |
| Camera | Ralph Voltron | Director of Photography |
| Camera | Almut Schilling | Director of Photography |
| Writing | Maria Luz Olivares Capelle | Writer |
| Directing | Maria Luz Olivares Capelle | Director |
| Production | Maria Luz Olivares Capelle | Producer |
| Camera | Serafin Spitzer | Director of Photography |
| Camera | Maria Luz Olivares Capelle | Director of Photography |
