Jay Austin is now a civilian police detective. Colonel Caldwell was his commanding officer years before when he left the military police over a disagreement over the handling of a drunk driver. Now a series of murders that cross jurisdictions force them to work together again. That Austin is now dating Caldwell's daughter is not helping their relationship.
You can now watch The Presidio online on the following streaming providers in the United States.
| Writing | Larry Ferguson | Screenplay |
| Art | Albert Brenner | Production Design |
| Production | Janet Hirshenson | Casting |
| Production | Jane Jenkins | Casting |
| Camera | Ralph Gerling | Camera Operator |
| Art | Marvin March | Set Decoration |
| Production | Fred C. Caruso | Unit Production Manager |
| Production | Fred C. Caruso | Co-Producer |
| Costume & Make-Up | Stephen Abrums | Makeup Artist |
| Sound | David B. Cohn | Sound Editor |
| Costume & Make-Up | Sugar Blymyer | Hairstylist |
| Sound | Bruce Broughton | Original Music Composer |
| Directing | Peter Hyams | Director |
| Camera | Peter Hyams | Director of Photography |
| Production | Mario Iscovich | Location Manager |
| Directing | Alan B. Curtiss | First Assistant Director |
| Production | D. Constantine Conte | Producer |
| Sound | Mark McKenzie | Orchestrator |
| Crew | Glenn R. Wilder | Stunt Coordinator |
| Sound | Curt Sobel | Music Editor |
| Editing | James Mitchell | Editor |
| Crew | Phil Cory | Special Effects Coordinator |
| Editing | Diane Adler | Editor |
| Directing | Regina Gordon | Second Assistant Director |
| Crew | Dick Ziker | Stunts |
| Production | Yvonne Yaconelli | Production Office Coordinator |
| Production | Jonathan A. Zimbert | Executive Producer |
| Production | Nancy Hayes | Extras Casting |
| Costume & Make-Up | Michael W. Hoffman | Wardrobe Supervisor |
| Sound | Beth Sterner | Sound Editor |
| Costume & Make-Up | Brad Wilder | Makeup Artist |
| Sound | Hamilton Sterling | Sound Editor |
| Directing | Julie Pitkanen | Script Supervisor |
| Camera | Ralph Nelson Jr. | Still Photographer |
| Art | C.J. Maguire | Property Master |
| Sound | Carlos Delarios | Sound Re-Recording Mixer |
| Sound | Michael J. Kohut | Sound Re-Recording Mixer |
| Sound | Aaron Rochin | Sound Re-Recording Mixer |
| Art | Richard Dean Rankin | Construction Coordinator |
| Sound | Thomas Whiting | ADR Supervisor |
| Sound | Randle Akerson | Supervising Sound Editor |
| Art | Roland E. Hill Jr. | Set Designer |
| Sound | David W. Gray | Dolby Consultant |
| Camera | Michael P. May | Second Assistant Camera |
| Editing | Gillian L. Hutshing | Assistant Editor |
| Crew | Anne Marie Stein | Unit Publicist |
| Crew | Al Broussard | Special Effects |
| Camera | Baird Steptoe | First Assistant Camera |
| Sound | Mark Pappas | Foley Supervisor |
| Sound | Steve Cantamessa | Boom Operator |
| Sound | Armin Steiner | Scoring Mixer |
| Sound | Gene S. Cantamessa | Production Sound Mixer |
| Costume & Make-Up | Dallas D. Dornan | Set Costumer |
| Editing | Beverly Pinnas | Assistant Editor |
| Lighting | Tim Griffith | Chief Lighting Technician |
| Editing | Bob Noland | Color Timer |
| Sound | Asher Yates | Sound Editor |
| Lighting | Walter Nichols | Assistant Chief Lighting Technician |
| Lighting | E. Christopher Reed | Assistant Chief Lighting Technician |
| Camera | Steve Peterson | First Assistant Camera |
| Art | Frank L. Brown | Assistant Property Master |
| Crew | Leroy Reed | Transportation Coordinator |
| Art | Kandy Stern | Art Direction |
| Editing | Beau Barthel | Editor |
| Camera | John Hennessey | Dolly Grip |
| Art | Harold Fuhrman | Set Designer |
| Crew | Mark Jennings | Cableman |
| Costume & Make-Up | Aggie Lyon | Wardrobe Supervisor |
| Directing | Brian Fong | Second Second Assistant Director |
| Art | Bernard P. Cutler | Set Designer |
| Sound | Norval D. Crutcher | Supervising Sound Editor |
