From his Memphis studio, Ernest Withers’ nearly 2 million images were a treasured record of Black history but his legacy was complicated by decades of secret FBI service revealed only after his death. Was he a friend of the civil rights community, or enemy—or both?
| Directing | Phil Bertelsen | Director |
| Production | Lise Yasui | Producer |
| Production | Sally Jo Fifer | Executive Producer |
| Production | Lois Vossen | Executive Producer |
| Production | Leslie Fields-Cruz | Executive Producer |
| Production | Tony Decaneas | Executive Producer |
| Production | Eric Meola | Executive Producer |
| Production | Robert F. Katz | Executive Producer |
| Production | Philip W. Hack | Executive Producer |
| Production | Phil Bertelsen | Producer |
| Editing | Paula Heredia | Editor |
| Editing | Bryan Gunnar Cole | Editor |
| Camera | Jerry Henry | Director of Photography |
| Camera | Aaron Baggett | Director of Photography |
| Camera | Keith Walker | Director of Photography |
| Editing | Sam Pollard | Editorial Consultant |
| Editing | Rachel Dretzin | Editorial Consultant |
| Editing | Betsy West | Editorial Consultant |
| Sound | Erin O'Hara | Original Music Composer |