West Point, New York, 1830. When a cadet at the burgeoning military academy is found hanged with his heart cut out, the top brass summons former New York City constable Augustus Landor to investigate. While attempting to solve this grisly mystery, the reluctant detective engages the help of one of the cadets: a strange but brilliant young fellow by the name of Edgar Allan Poe
You can now watch The Pale Blue Eye online on the following streaming providers in the United States.
| Sound | Howard Shore | Music |
| Editing | Dylan Tichenor | Editor |
| Production | Christian Bale | Producer |
| Art | Troy Sizemore | Supervising Art Director |
| Sound | Skip Lievsay | Supervising Sound Editor |
| Sound | Skip Lievsay | Sound Re-Recording Mixer |
| Art | Stefania Cella | Production Design |
| Art | Michael E. Goldman | Art Direction |
| Directing | Scott Cooper | Director |
| Production | Scott Cooper | Producer |
| Writing | Scott Cooper | Writer |
| Sound | Wyatt Sprague | Sound Effects Editor |
| Sound | Mark DeSimone | ADR Mixer |
| Camera | Masanobu Takayanagi | Director of Photography |
| Crew | Doug Coleman | Stunts |
| Production | Tyler Thompson | Producer |
| Costume & Make-Up | Kasia Walicka Maimone | Costume Design |
| Production | Vincent Grashaw | Co-Executive Producer |
| Costume & Make-Up | Christopher Patrick | Makeup Artist |
| Production | John Lesher | Producer |
| Production | Buddy Patrick | Executive Producer |
| Production | Tracey Landon | Executive Producer |
| Production | Tracey Landon | Unit Production Manager |
| Costume & Make-Up | Darcie Buterbaugh | Costume Supervisor |
| Art | Allison Klein | Assistant Art Director |
| Costume & Make-Up | Ned Neidhardt | Makeup Department Head |
| Lighting | Jay Kemp | Gaffer |
| Directing | Scott Peterson | Script Supervisor |
| Art | Thomas J. Garrigan | Assistant Property Master |
| Costume & Make-Up | Rachel Geary | Makeup Artist |
| Camera | Scott Garfield | Still Photographer |
| Costume & Make-Up | Darylin Nagy | Makeup Artist |
| Editing | Andrew Dearnley | Dailies Operator |
| Costume & Make-Up | Melissa Yonkey | Key Hair Stylist |
| Crew | Adam Hart | Stunt Coordinator |
| Crew | Adam Hart | Stunt Double |
| Art | Jane Madden | Set Decoration |
| Crew | Michelle Elise Shock | Stunt Double |
| Crew | Daniel Stevens | Stunts |
| Costume & Make-Up | Autumn Butler | Makeup Department Head |
| Crew | Cole Eckert | Stunts |
| Costume & Make-Up | Lori Guidroz | Hair Department Head |
| Directing | Takahide Kawakami | Second Assistant Director |
| Art | Kris Peck | Property Master |
| Visual Effects | Jeremy Hays | VFX Supervisor |
| Visual Effects | Jeremy Hays | Special Effects Supervisor |
| Sound | Tom Williams | Sound Mixer |
| Camera | James W. Apted | First Assistant "A" Camera |
| Costume & Make-Up | Nancy Keslar | Hairstylist |
| Costume & Make-Up | Jason Renner | Key Hair Stylist |
| Visual Effects | Brandon England | Visual Effects |
| Crew | Cheryl L. Sorice | Special Effects |
| Directing | Christopher Surgent | First Assistant Director |
| Sound | Chris Chae | Sound Designer |
| Sound | Chris Chae | Sound Re-Recording Mixer |
| Crew | Ted Williams | Special Effects |
| Crew | Dawson Towery | Stunt Double |
| Costume & Make-Up | Rachel Kick | Key Makeup Artist |
| Art | Kate Dougherty | Set Designer |
| Camera | John Janusek | Key Grip |
| Camera | Dana Morris | Camera Operator |
| Crew | Dana Morris | Steadycam |
| Sound | James Trusson | ADR Mixer |
| Camera | Chad Cunningham | Grip |
| Directing | Ana Drasinover | Additional Second Assistant Director |
| Art | Mitchell Poljak | Set Dresser |
| Crew | Doug Stanczak | Video Assist Operator |
| Camera | John E. Tremba | Grip |
| Sound | Sam Okell | Scoring Mixer |
| Art | Patrick Campbell | Storyboard Artist |
| Art | Chip Eccles | Construction Foreman |
| Camera | David Jaxx Nagro | Dolly Grip |
| Visual Effects | David C. Sales | Visual Effects Coordinator |
| Crew | Joseph Edward Myers | Stunts |
| Crew | Tom Russbueldt | Score Engineer |
| Crew | Kevin Gilligan | Techno Crane Operator |
| Costume & Make-Up | Eve Negley | Makeup Artist |
| Art | Mandy Simpson | Props |
| Camera | Richard S. Crumrine Jr. | First Assistant "B" Camera |
| Costume & Make-Up | Bunny Giuliani | Hairstylist |
| Camera | Daniel Hernandez | Digital Imaging Technician |
| Crew | Kyle Roberts | Special Effects |
| Camera | Drew Roberts | Drone Pilot |
| Sound | Benjamin Darier | ADR Mixer |
| Lighting | Mark Yancey | Electrician |
| Art | Raquel Bouvy | Graphic Designer |
| Visual Effects | Alexander Ha | Visual Effects |
| Crew | Mike Garvey | Special Effects |
| Camera | Dan Sotak | Second Assistant Camera |
| Lighting | Dakota Hadix | Rigging Grip |
| Art | John Finnell | Art Department Coordinator |
| Art | Jason Baker | Props |
| Crew | Antonio Grassano | Special Effects Technician |
| Production | Ryan Donnell Smith | Executive Producer |
| Production | Corey Sklov | Production Supervisor |
| Costume & Make-Up | Krista Montgomery | Hairstylist |
| Writing | Louis Bayard | Novel |
| Production | Evelyn Chafin | Production Supervisor |
| Camera | Sean Flaherty | Key Grip |
| Camera | Matt Beran | Camera Loader |
| Lighting | Brian Abate | Lighting Technician |
| Editing | Alex Kaufman | Dailies Operator |
| Production | Dylan Weathered | Executive Producer |
| Sound | Alistair Bolt | ADR Mixer |
| Directing | Jordan Weir | Second Second Assistant Director |
| Costume & Make-Up | Jennifer Bechak | On Set Dresser |
| Crew | Erin Haus | Stunt Double |
| Sound | Jennie Shea | ADR Recordist |
| Art | Kate Bechak | Set Designer |
| Costume & Make-Up | Melissa Yancey | Set Costumer |
