Buenos Aires, Argentina, 1983. In the last and turbulent days of the military dictatorship, Alicia, a high school history teacher, begins to ask uncomfortable questions about the dark origins of Gaby, her adopted daughter.
Directing | Luis Puenzo | Director |
Writing | Aída Bortnik | Screenplay |
Writing | Luis Puenzo | Screenplay |
Art | Abel Facello | Production Design |
Editing | Juan Carlos Macías | Editor |
Camera | Félix Monti | Director of Photography |
Camera | Willi Behnisch | First Assistant Camera |
Camera | María Inés Teyssié | Still Photographer |
Editing | Hugo Primero | Assistant Editor |
Sound | Abelardo Kuschnir | Sound Director |
Production | Francisco Juárez | Researcher |
Sound | Atilio Stampone | Original Music Composer |
Camera | Héctor Morini | Camera Operator |
Costume & Make-Up | Ticky García Estévez | Wardrobe Supervisor |
Writing | María Elena Walsh | Lyricist |
Production | Alberto Casavecchia | Casting |
Production | Luis Puenzo | Producer |
Art | Oreste Sacchi | Property Master |
Production | Nora Puenzo | Producer |
Costume & Make-Up | Blanca Olavego | Makeup Designer |
Directing | Raúl Outeda | Assistant Director |
Production | Marcelo Piñeyro | Production Director |
Production | Carlos Latreyte | Production Manager |
Sound | Omar Jadur | Sound Assistant |
Directing | Rodrigo Espina | Second Assistant Director |
Directing | Patricia Oyuela | First Assistant Director |
Sound | Abelardo Kuschnir | Sound Mixer |
Lighting | Silvio Bonda | Electrician |
Lighting | Osvaldo Díaz | Electrician |
Lighting | Ricardo Ormello | Gaffer |
Camera | Wilson Rodriguez | Second Assistant Camera |
Costume & Make-Up | Ana Tasaki | Wardrobe Assistant |
Editing | Nilda Nacela | Negative Cutter |
Editing | Alexandro Perez | Color Timer |
Editing | Marta Selvi | Negative Cutter |