The spiritual and sexual coming of age of a Seventh-Day Adventist boy in 1950s Australia. Ken Elkin is a "randy young man" who is told that the world is about to end. In a race against time, there's only one goal Ken wants to accomplish: bedding the love of his life, who just happens to be the local pastor's daughter.
| Directing | Bob Ellis | Director |
| Writing | Bob Ellis | Writer |
| Production | Terry Jennings | Producer |
| Production | Roger Le Mesurier | Executive Producer |
| Production | Roger Simpson | Executive Producer |
| Sound | Chris Neal | Music |
| Camera | Geoff Burton | Director of Photography |
| Editing | Henry Dangar | Editor |
| Art | Roger Ford | Production Design |
| Art | Laurie Faen | Art Direction |
| Costume & Make-Up | Roger Ford | Costume Design |
| Costume & Make-Up | Trish Glover | Makeup & Hair |
| Costume & Make-Up | Paul Pattison | Makeup & Hair |
| Costume & Make-Up | Tina Gordon | Makeup Artist |
| Production | Anne Bruning | Production Manager |
| Production | Dennis Hulm | Assistant Unit Manager |
| Production | Will Matthews | Unit Manager |
| Directing | Robert Donaldson | First Assistant Director |
| Directing | John Meredith | Second Assistant Director |
| Directing | Ian Hamilton | Third Assistant Director |
| Art | Jock McLachlan | Set Dresser |
| Art | John Osmond | Standby Property Master |
| Art | Sara Probyn | Runner Art Department |
| Art | Catherine Silm | Assistant Art Director |
| Crew | Eric Todd | Scenic Artist |
| Art | Kate Wingrove | Art Department Assistant |
| Art | Sandy Wingrove | Set Dresser |
| Sound | Jeanine Chiavlo | Dialogue Editor |
| Sound | Peter Fenton | Sound Mixer |
| Sound | Catherine Gross | Boom Operator |
| Sound | David Lee | Sound Recordist |
| Sound | Martin Oswin | Foley Recordist |
| Sound | Martin Oswin | Sound Mixer |
| Sound | Mark Perry | Dialogue Editor |
| Sound | Ron Purvis | Sound Mixer |
| Sound | Penn Robinson | Sound Effects Editor |
| Visual Effects | Roger Cowland | Visual Effects |
| Crew | Tony Lynch | Stunts |
| Crew | Luke Quinton | Stunts |
| Lighting | Grant Atkinson | Electrician |
| Lighting | Robbie Burr | Best Boy Electric |
| Lighting | Nick De Laine | Electrician |
| Camera | Leilani Hannah | Clapper Loader |
| Camera | David Hansen | Grip |
| Camera | Robert McFarlane | Still Photographer |
| Camera | Kathryn Milliss | Focus Puller |
| Lighting | Ian Plummer | Gaffer |
| Camera | Simon Quaife | Key Grip |
| Camera | Paul Smith | Assistant Grip |
| Production | Kate Finsterer | Extras Casting |
| Costume & Make-Up | Louise Wakefield | Assistant Costume Designer |
| Editing | Arthur Cambridge | Color Grading |
| Editing | Basia Ozerski | Assistant Editor |
| Production | Maude Heath | Location Manager |
| Directing | Nicola Moors | Continuity |
| Production | Debbie Atkins | Production Coordinator |
| Production | Jennifer Des Champs | Production Secretary |
| Production | Marianne Flynn | Production Accountant |
| Production | Giles Lovell-Wilson | Publicist |
| Production | Sandie Morris | Assistant Accountant |
| Production | Tom Read | Production Runner |
