The body of a young actress is brought to her home town by the man who loved her. He knows that she wanted all the church bells to ring for three days after she was buried, but is told that this will cost a lot of money. The checks that he writes to the various churches all bounce, but it is the weekend and, in desperation, he prays that a miracle will happen before the banks reopen. It does, but not in the way he hoped.
| Writing | Ben Hecht | Screenplay |
| Writing | Quentin Reynolds | Screenplay |
| Directing | Irving Pichel | Director |
| Costume & Make-Up | Karl Herlinger | Makeup Artist |
| Production | Fred Fleck | Production Manager |
| Camera | Charles Burke | Camera Operator |
| Camera | Ralph Wildman | Grip |
| Art | Darrell Silvera | Set Decoration |
| Crew | Charles O'Curran | Choreographer |
| Sound | Leigh Harline | Original Music Composer |
| Directing | Harry D'Arcy | Assistant Director |
| Writing | Russell Janney | Novel |
| Camera | Robert De Grasse | Director of Photography |
| Art | Albert S. D'Agostino | Art Direction |
| Crew | DeWitt Bodeen | Additional Dialogue |
| Art | Harley Miller | Set Decoration |
| Sound | C. Bakaleinikoff | Music Director |
| Production | Jesse Lasky Jr. | Producer |
| Costume & Make-Up | Gordon Bau | Makeup Supervisor |
| Production | Walter MacEwen | Producer |
| Sound | Clem Portman | Sound |
| Directing | Julia Marcia Davies | Script Supervisor |
| Directing | Joan Davis | Script Supervisor |
| Crew | Russell A. Cully | Special Effects |
| Crew | Clifford Stine | Special Effects |
| Costume & Make-Up | Renié | Costume Design |
| Sound | Philip Mitchell | Sound |
| Editing | Elmo Williams | Editor |
| Art | Ralph Berger | Art Direction |
| Camera | Rod Tolmie | Still Photographer |
| Costume & Make-Up | Annabell Levy | Hairstylist |
| Sound | Jule Styne | Songs |
| Writing | Sammy Cahn | Lyricist |
