A stockbroker is stuck in a dreary job and a marriage that's become a dull routine. To cope with the boredom and frustration, he resorts to voyeurism and extramarital love affairs.
| Directing | Lawrence Turman | Director |
| Writing | Charles Webb | Novel |
| Writing | Lorenzo Semple Jr. | Screenplay |
| Crew | László Kovács | Cinematography |
| Sound | Fred Karlin | Music |
| Production | Fredric Steinkamp | Associate Producer |
| Production | Lawrence Turman | Producer |
| Editing | Fredric Steinkamp | Editor |
| Art | Pato Guzman | Production Design |
| Art | Audrey A. Blasdel | Set Decoration |
| Art | Walter M. Scott | Set Decoration |
| Costume & Make-Up | Allan Snyder | Makeup Artist |
| Costume & Make-Up | Dorothy White | Hairstylist |
| Production | Saul Wurtzel | Unit Production Manager |
| Directing | Al Murphy | Second Assistant Director |
| Directing | David Salven | Assistant Director |
| Directing | Miles Tilton | Assistant Director |
| Art | Harold Michelson | Production Illustrator |
| Art | Bill MacSems | Assistant Property Master |
| Art | Dennis J. Parrish | Property Master |
| Sound | Theodore Soderberg | Sound |
| Sound | Barry Thomas | Sound |
| Sound | Don Parker | Sound Recordist |
| Sound | Ronald L. Stirling | Boom Operator |
| Crew | Don B. Courtney | Special Effects |
| Lighting | Richmond L. Aguilar | Gaffer |
| Directing | Cleo Anton | Script Supervisor |
| Editing | Bill Ross | Assistant Editor |
| Costume & Make-Up | Doris Rambeau | Wardrobe Master |
| Costume & Make-Up | Ed Wynigear | Wardrobe Master |
| Camera | Fred Richter | Grip |
| Camera | Lou London | Grip |
| Camera | Dave Friedman | Still Photographer |
| Camera | Dick Colean | Assistant Camera |
| Camera | George Hill | Key Grip |
