Over-the-hill gumshoe in Los Angeles seeks to avenge the killing of an old pal, another detective who had gotten himself involved in a case concerning a murdered broad, stolen stamps, a nickel-plated handgun, a cheating dolly, and a kidnapped pussycat.
| Directing | Robert Benton | Director |
| Writing | Robert Benton | Screenplay |
| Sound | Kenneth Wannberg | Original Music Composer |
| Production | Robert Altman | Producer |
| Costume & Make-Up | Monty Westmore | Makeup Artist |
| Editing | Peter Appleton | Editor |
| Crew | William A. Sawyer | Post Production Supervisor |
| Art | Dennis J. Parrish | Set Decoration |
| Production | Scott Bushnell | Associate Producer |
| Production | Robert Eggenweiler | Associate Producer |
| Art | Robert Gould | Set Decoration |
| Editing | Lou Lombardo | Editor |
| Costume & Make-Up | Mary Elizabeth Still | Assistant Costume Designer |
| Art | Dan Perri | Title Designer |
| Camera | Charles Rosher Jr. | Director of Photography |
| Crew | Paul Baxley | Stunt Coordinator |
| Directing | Tony Bishop | Second Assistant Director |
| Directing | Kim Friese | Second Assistant Director |
| Directing | Tommy Thompson | Assistant Director |
| Art | Dennis J. Parrish | Set Dresser |
| Sound | Michael Galloway | Sound |
| Sound | David M. Horton | Sound Effects Editor |
| Sound | Sam Gemette | Sound Editor |
| Sound | Chris McLaughlin | Sound |
| Sound | Richard Portman | Sound Re-Recording Mixer |
| Sound | James E. Webb | Sound |
