A suburban family chooses seemingly sweet Peyton Flanders as their newborn's nanny. Only much later does the infant's mother, Claire Bartel, realize Peyton's true intentions -- to destroy Claire and replace her in the family. The nail-biting suspense builds quickly in this chilling psychological thriller about deception and bitter revenge.
| Directing | Curtis Hanson | Director |
| Writing | Amanda Silver | Screenplay |
| Production | David Madden | Producer |
| Camera | Robert Elswit | Director of Photography |
| Sound | Graeme Revell | Original Music Composer |
| Editing | John F. Link | Editor |
| Art | Sandy Reynolds-Wasco | Set Decoration |
| Production | Junie Lowry-Johnson | Casting |
| Art | Mark Zuelzke | Art Direction |
| Production | Robert W. Cort | Executive Producer |
| Art | Edward Pisoni | Production Design |
| Costume & Make-Up | Jennifer von Mayrhauser | Costume Design |
| Production | Ira Halberstadt | Co-Producer |
| Art | Melissa Matthies | Leadman |
| Production | Ted Field | Executive Producer |
| Crew | John Moio | Stunt Coordinator |
| Crew | Cris Thomas-Palomino | Stunts |
| Crew | Daniel W. Barringer | Stunts |
| Crew | Lynn Salvatori | Stunts |
| Crew | David Boushey | Stunts |
| Crew | Jamie Bunch Elliott | Stunts |
| Crew | Barbara Anne Klein | Stunts |
| Production | Ira Halberstadt | Unit Production Manager |
| Directing | Michael Daves | First Assistant Director |
| Directing | Ray Greenfield | First Assistant Director |
| Directing | Brenda Kalosh | Second Assistant Director |
| Costume & Make-Up | Heidi Shulman | Assistant Costume Designer |
| Costume & Make-Up | Kathy Kiatta | Costume Supervisor |
| Costume & Make-Up | Wendy M. Craig | Costumer |
| Costume & Make-Up | Nina Paskowitz | Key Hair Stylist |
| Camera | Stefan Tarzan | Second Assistant Camera |
| Directing | Candy Bennici | Script Supervisor |
| Sound | James Pilcher | Production Sound Mixer |
| Sound | Dane A. Davis | Supervising Sound Editor |
| Sound | Dick Bernstein | Music Editor |
| Lighting | Colleen Kingdon | Electrician |
| Camera | Mark Shane Davis | Key Grip |
| Art | Blanche Sindelar | Property Master |
| Art | Kim Larsen-Santini | Assistant Property Master |
| Crew | Bob Riggs | Special Effects Coordinator |
| Production | Sheila A. Warner | Production Coordinator |
| Art | Gilbert Wong | Set Designer |
| Art | Alun Vick | Construction Coordinator |
| Art | Michael McCombe | Greensman |
| Crew | A. Welch Lambeth | Transportation Coordinator |
| Crew | Russell Davis | Transportation Coordinator |
| Crew | Robert T. Chestnut | Transportation Captain |
| Production | Ron Surma | Casting Associate |
| Production | Amy Caton-Ford | Extras Casting |
| Editing | Mark Stevens | First Assistant Editor |
| Sound | Kini Kay | Sound Effects Editor |
| Sound | Todd Toon | Sound Effects Editor |
| Sound | Kurt Nicholas Forshager | Foley Editor |
| Sound | Tom Hammond | Foley Editor |
| Sound | Chuck Michael | Foley Editor |
| Sound | Randy Vandegrift | ADR Supervisor |
| Sound | Kimberly Lowe Voigt | Dialogue Editor |
| Sound | Martin J. Bram | Dialogue Editor |
| Sound | Maciek Malish | Dialogue Editor |
| Sound | Peter Brancaccio | Assistant Sound Editor |
| Sound | Joan Rowe | Foley Artist |
| Sound | Gregg Barbanell | Foley Artist |
| Sound | Dennis S. Sands | Scoring Mixer |
| Sound | Richard Portman | Sound Re-Recording Mixer |
| Sound | Dan Wallin | Sound Re-Recording Mixer |
| Sound | Anna Behlmer | Sound Re-Recording Mixer |
| Editing | Theresa Repola Mohammed | Negative Cutter |
| Editing | Bob Kaiser | Color Timer |
