Just before the advent of the Great Depression, Henry Ford controlled the most important company in the most important industry in the booming American economy. His offer of high wages in exchange for hard work attracted workers to Detroit, but it began to come apart when Ford hired a private police force to speed up production and spy on employees. After the depression hit in 1929, these workers faced a new, grim reality as unemployment skyrocketed.
Production | Henry Hampton | Executive Producer |
Production | Michael Dick | Production Manager |
Camera | Kim Chidester | Assistant Camera |
Camera | Fred Neilsen | Assistant Camera |
Sound | Charles Dixon | Sound Recordist |
Sound | Ray Palagy | Sound Editor |
Editing | Lillian Benson | Editor |
Production | Stephen Stept | Supervising Producer |
Camera | Christopher Hall | Camera Operator |
Camera | Robert Shepard | Additional Camera |
Production | Leslie D. Farrell | Associate Producer |
Sound | John Haptas | Sound Recordist |
Sound | Brian Keane | Music |
Production | Terry Kay Rockefeller | Producer |
Sound | Joe Boekelheide | Sound Effects Designer |
Sound | Sara Chin | Sound Recordist |
Camera | Otis W. Bess Jr. | Assistant Camera |
Directing | Jon Else | Director |
Writing | Jon Else | Writer |
Sound | Felipe Borrero | Sound Recordist |
Camera | Brett Wiley | Camera Operator |
Writing | Steve Fayer | Writer |
Camera | Joe Vitagliano | Additional Camera |
Production | Alison Bassett | Supervising Producer |
Production | Jon Else | Producer |
Camera | Michael Chin | Director of Photography |