Alan Mitchell returns to New York to work for his father Walter, the owner of a fashion house that designs and manufactures dresses. To stay non-union, Walter has hired Artie Ravidge, a hood who uses strong-arm tactics to keep the employees in line.
Directing | Vincent Sherman | Director |
Production | Harry Kleiner | Producer |
Art | William Kiernan | Set Decoration |
Writing | Harry Kleiner | Screenplay |
Camera | Joseph F. Biroc | Director of Photography |
Editing | William A. Lyon | Editor |
Directing | Irving J. Moore | Assistant Director |
Sound | Leith Stevens | Original Music Composer |
Costume & Make-Up | Helen Hunt | Hairstylist |
Writing | Harry Kleiner | Story |
Costume & Make-Up | Clay Campbell | Makeup Artist |
Art | Robert Peterson | Art Direction |
Art | Frank Tuttle | Set Decoration |
Costume & Make-Up | Jean Louis | Costume Design |
Sound | John P. Livadary | Recording Supervision |