The story of an Aboriginal family's attempts to forge a new life for themselves within the segregated society. At the urging of headstrong teenager Trilby, the Comeaways relocate from their family camp, to a house in the main town.
| Directing | Bruce Beresford | Director |
| Writing | Nene Gare | Novel |
| Production | Sue Milliken | Producer |
| Sound | George Dreyfus | Original Music Composer |
| Writing | Bruce Beresford | Screenplay |
| Directing | Jo Weeks | Script Supervisor |
| Art | Herbert Pinter | Production Design |
| Writing | Rhoisin Beresford | Screenplay |
| Camera | Donald McAlpine | Director of Photography |
| Editing | Tim Wellburn | Editor |
| Production | Hilary Dwyer | Executive Producer |
| Directing | Mark Egerton | First Assistant Director |
| Directing | Carolynne Cunningham | Second Assistant Director |
| Directing | Katherine Shaw | Third Assistant Director |
| Art | Wilf Flint | Construction Manager |
| Art | Helen Macaskill | Set Dressing Buyer |
| Art | Martin Manahan | Runner Art Department |
| Sound | Max Bowring | Sound Recordist |
| Sound | Eric Briggs | Boom Operator |
| Sound | Peter Fenton | Sound Re-Recording Mixer |
| Sound | Peter Fenton | Sound Mixer |
| Sound | Phil Heywood | Sound Re-Recording Mixer |
| Sound | Phil Heywood | Sound Mixer |
| Visual Effects | Brian Pearce | Special Effects Supervisor |
| Camera | Chris Cole | Clapper Loader |
| Camera | Warwick Field | Focus Puller |
| Lighting | Laurie Fish | Best Boy Electric |
| Camera | Mitchell Logan | Assistant Grip |
| Camera | Robert McFarlane | Still Photographer |
| Camera | Pip Shapiera | Key Grip |
| Lighting | Rob Young | Gaffer |
| Production | Alison Barrett | Casting |
| Production | Kate Ingham | Extras Casting |
| Editing | Jeanine Chiavlo | Assistant Editor |
| Directing | Jo Weeks | Continuity |
