Drawing on the richness of the good old days of cinema with live music and a thoroughly modern, “hyper-real” film experience with multiple screens and surround sound, The End of Cinematics examines the 21st-century phenomenon of viewing media content in fragmented form. From channel surfing to MTV to formulaic Hollywood films and sitcoms, we’re accustomed to—and adept at—filling in the details of storylines, of grasping an idea and determining its conclusion.
| Directing | Mikel Rouse | Director |
| Writing | Mikel Rouse | Writer |
| Sound | Mikel Rouse | Music |
| Art | Lynn Court | Production Design |
| Art | Robert Franks | Production Design |
| Editing | Mikel Rouse | Editor |
| Costume & Make-Up | Barbara Allen | Costume Designer |
| Costume & Make-Up | Nancy Hanks | Wardrobe Master |
| Costume & Make-Up | Brian McCay | Makeup Artist |
| Costume & Make-Up | Warren Ray | Hairstylist |
| Sound | Ed Warden | Sound Recordist |
| Sound | Paul Kands | Supervising Sound Editor |
| Crew | Mikel Rouse | Mixing Engineer |
| Production | Marge Angles | Production Manager |
| Directing | Anna Thompson | Script Supervisor |
| Directing | Lisa Thorwal | First Assistant Director |
| Directing | Andy Clay | Second Assistant Director |
| Art | George Hattis | Location Scout |
| Art | William Bore | Art Direction |
| Editing | Joe Rause | Assistant Editor |
| Sound | Rema Williams | Assistant Sound Editor |
| Writing | Mikel Rouse | Story |
| Writing | Mikel Rouse | Screenplay |