In the last days of a dying logging town, Christian returns to his family home for his father Henry’s wedding. While home, Christian reconnects with his childhood friend Oliver, who has stayed in town working at Henry’s timber mill and is now out of a job. As Christian gets to know Oliver’s wife Charlotte, daughter Hedvig, and father Walter, he discovers a secret that could tear Oliver’s family apart.
Camera | Andrew Commis | Director of Photography |
Directing | Simon Stone | Director |
Writing | Simon Stone | Screenplay |
Sound | Yulia Akerholt | Sound Effects Editor |
Sound | Les Fiddess | Foley |
Costume & Make-Up | Chiara Tripodi | Makeup Designer |
Camera | Scott Dolan | First Assistant Camera |
Camera | Peter Barta | Steadicam Operator |
Visual Effects | Craig Deeker | Visual Effects Supervisor |
Sound | Liam Egan | Sound Designer |
Crew | Nick Emond | Sound Recordist |
Costume & Make-Up | Margot Wilson | Costume Design |
Production | Natalie Wall | Casting Associate |
Costume & Make-Up | Lyn Askew | Costume Supervisor |
Lighting | Zac Murphy | Gaffer |
Visual Effects | Lucas Newton | VFX Artist |
Production | Nikki Barrett | Casting |
Art | Annie Clapton | Art Department Coordinator |
Sound | James Andrews | ADR & Dubbing |
Editing | Veronika Jenet | Editor |
Costume & Make-Up | Jennifer Stanfield | Makeup Artist |
Art | Sara Mathers | Set Decoration |
Visual Effects | Walter Ratcliffe | VFX Editor |
Directing | Kristin Voumard | Script Supervisor |
Sound | Andrew Kotatko | Music Supervisor |
Camera | Marco Stefanoni | First Assistant Camera |
Camera | Mark Rogers | Still Photographer |
Art | Steven Jones-Evans | Production Design |
Editing | Paul Booth | First Assistant Editor |
Art | Maxine Dennett | Art Direction |
Crew | Tad Pride | Armorer |
Sound | Mark Bradshaw | Music |
Editing | Tony Murtagh | Dialogue Editor |
Production | Jan Chapman | Producer |
Production | Nicole O'Donohue | Producer |
Writing | Henrik Ibsen | Author |
Camera | David Nichols | Key Grip |
Sound | Tobi Armbruster | Foley Mixer |
Camera | Ian Barton | Dolly Grip |
Lighting | Andy MacRae | Electrician |
Production | Lorelle Adamson | Production Manager |
Art | Peter 'Babylon' Owens | Construction Manager |
Art | Peter Pound | Storyboard Artist |
Crew | Olga Miller | Stunt Double |
Production | Morgan Smallbone | Extras Casting |
Production | Lorelle Adamson | Line Producer |
Crew | Danielle Roffe | Dialect Coach |
Costume & Make-Up | Micheala Macrae | Assistant Makeup Artist |
Directing | Deborah Antoniou | First Assistant Director |
Costume & Make-Up | Michelle Beeckman | Assistant Makeup Artist |
Production | Sandie Morris | Production Accountant |
Crew | Jane Maguire | Post Production Consulting |
Sound | Mike Bakaloff | Boom Operator |
Directing | Jay Corry | Third Assistant Director |
Sound | Martin Oswin | Foley Mixer |
Production | Melina Maraki | Post Production Coordinator |
Visual Effects | Daniel Durao | Visual Effects Producer |
Directing | Nerida Groth | Second Assistant Director |
Production | Jasmin Lyford | Production Coordinator |
Production | Alex White | Associate Producer |
Crew | Tony Lynch | Stunt Coordinator |
Crew | Simon Mak Murrell | Stunts |
Production | Djuro Bandur | Unit Manager |
Art | Adrian Dalton | Property Master |
Camera | Zane Kamat | Second Assistant Camera |
Production | Jessica Carrera | Publicist |
Sound | Arvo Pärt | Additional Soundtrack |