This slight skewering of the mindset of the Fascist era when Italy’s “White Telephone” films (conservative minded sophisticated comedy-dramas revolving around the bourgeoisie) were in vogue gives Agostina Belli her best role – an ambitious Venetian girl that goes from chambermaid to prostitute to singer to film-star to mistress of ‘Il Duce’! – for which she received a special David Di Donatello award, the Italian equivalent of the Oscar.
| Directing | Dino Risi | Director |
| Production | Pio Angeletti | Producer |
| Production | Adriano De Micheli | Producer |
| Writing | Bernardino Zapponi | Story |
| Writing | Dino Risi | Story |
| Writing | Ruggero Maccari | Screenplay |
| Writing | Dino Risi | Screenplay |
| Writing | Bernardino Zapponi | Screenplay |
| Editing | Alberto Gallitti | Editor |
| Sound | Armando Trovajoli | Original Music Composer |
| Camera | Claudio Cirillo | Director of Photography |
| Directing | Claudio Risi | First Assistant Director |
| Art | Luciano Ricceri | Production Design |
| Costume & Make-Up | Luciano Ricceri | Costume Design |
| Production | Mario D'Alessio | Production Manager |
| Directing | Carla Giarè | Script Supervisor |
| Costume & Make-Up | Antonio Randaccio | Assistant Costume Designer |
| Art | Ezio Di Monte | Assistant Production Design |
| Camera | Oddone Bernardini | Camera Operator |
| Sound | Vittorio Massi | Sound |
| Costume & Make-Up | Giulio Natalucci | Makeup Artist |
| Costume & Make-Up | Giusy Bovino | Hairstylist |
| Editing | Anna Rosa Napoli | Assistant Editor |
| Camera | Paul Ronald | Still Photographer |
| Sound | Venanzio Biraschi | Sound Mixer |
| Sound | Renato Marinelli | Sound Effects |