In the third film in the series, in 1908, Henry Jones Sr. takes his wife, son and the boy's tutor to the world's first psycho-analytical conference in Viena, Austria. Young Indy meets Princess Sophie of Austia, daughter of Archduke Franz Ferdinand and develops deep feelings for her. He even asks Sigmund Freud, Carl Jung and Alfred Adler for love advice. On their next stop in Florence, Anna Jones becomes the object of affection for the persuasive opera composer Giacomo Puccini. With her husband away in Rome, Anna is torn between her feelings for her husband and the impulsive Italian.
Directing | Mike Newell | Director |
Writing | George Lucas | Story |
Directing | Bille August | Director |
Writing | Jule Selbo | Screenplay |
Writing | Matthew Jacobs | Screenplay |
Editing | Louise Rubacky | Editor |
Crew | Jörgen Persson | Cinematography |
Editing | Edgar Burcksen | Editor |
Production | Jane Jenkins | Casting |
Production | Roger Mussenden | Casting |
Art | Peter Walpole | Set Decoration |
Costume & Make-Up | Pat Hay | Makeup Artist |
Art | Gavin Bocquet | Production Design |
Costume & Make-Up | Charlotte Holdich | Costume Design |
Production | George Lucas | Executive Producer |
Production | Rick McCallum | Producer |
Art | Maggie Gray | Set Decoration |
Production | Janet Hirshenson | Casting |
Art | Karel Vacek | Art Direction |
Sound | Laurence Rosenthal | Music |
Camera | David Tattersall | Director of Photography |