During the run of a particularly awful interpretation of Richard III, the star, Anthony O'Malley, begins to frequent a rough pub to develop his character. He meets Barreller who he discovers owes someone he's never met a considerable sum of money. Seeing an opportunity to make some fast money, O'Malley convinces hapless extra, Tom, to meet Barreller as the debt collector.
Directing | Conor McPherson | Director |
Writing | Conor McPherson | Screenplay |
Sound | Michael Nyman | Music |
Production | Susie Figgis | Casting |
Costume & Make-Up | Consolata Boyle | Costume Design |
Editing | Emer Reynolds | Editor |
Camera | Seamus McGarvey | Director of Photography |
Art | Mark Geraghty | Production Design |
Crew | Donal O'Farrell | Stunt Coordinator |
Crew | Giedrius Nagys | Stunt Double |
Crew | Laura Fox | Stunts |
Crew | Dominick Hewitt | Stunts |
Crew | Phil Lonergan | Stunts |
Crew | Gary Robinson | Stunts |
Crew | Alan Walsh | Stunts |
Production | Des Martin | Production Manager |
Directing | Peter Agnew | First Assistant Director |
Sound | Simon J. Willis | Sound Recordist |
Production | Wendy Ellerker | Production Accountant |
Production | Rebecca Roper | Additional Casting |
Art | Ciara Gormley | Art Direction |
Art | Johnny Byrne | Set Decoration |
Art | Jenny Oman | Property Buyer |
Art | Conor Devlin | Draughtsman |
Art | Jenni Cooney | Graphic Designer |
Crew | Laurence O'Toole | Scenic Artist |
Camera | Richie Donnelly | Focus Puller |
Camera | John Watters | Clapper Loader |
Camera | Malcolm Huse | Grip |
Camera | Paul Edwards | Steadicam Operator |
Camera | Cormac O'Maille | Camera Trainee |
Camera | John Dunne | Grip |
Directing | Renee Burke | Script Supervisor |
Sound | Conor O'Toole | Boom Operator |
Production | Anneliese O'Callaghan | Production Coordinator |
Production | Paddy McCarney | Location Manager |
Production | Edmund Sampson | Assistant Location Manager |
Directing | Catherine Dunne | Second Assistant Director |
Directing | Sandra Corbally | Third Assistant Director |
Crew | Tricia Perrott | Post Production Supervisor |
Editing | Gavin Buckley | First Assistant Editor |
Sound | Douglas Murray | Supervising Sound Editor |
Sound | Richard Quinn | Dialogue Editor |
Sound | Jon Stevenson | Music Editor |
Sound | Hugo Monks | Assistant Sound Editor |
Sound | Michael Lemass | Assistant Sound Editor |
Costume & Make-Up | Rhona McGuirke | Wardrobe Supervisor |
Costume & Make-Up | Keelin O'Síochain | Assistant Costume Designer |
Costume & Make-Up | Nuala Conway | Makeup Artist |
Costume & Make-Up | Conor McAlistair | Hairdresser |
Costume & Make-Up | Neill Gorton | Prosthetic Makeup Artist |
Lighting | Lee Walters | Gaffer |
Lighting | Garret Baldwin | Gaffer |
Lighting | Stephen Carthy | Electrician |
Lighting | Addo Gallagher | Electrician |
Lighting | Dave Keogh | Electrician |
Lighting | Peter O'Toole | Genetator Operator |
Crew | Pat Redmond | Special Effects Coordinator |
Crew | Brendan Byrne | Special Effects Coordinator |
Art | Eamonn O'Higgins | Property Master |
Art | Russ Bailey | Construction Manager |
Crew | Gerry Grennell | Dialogue Coach |
Crew | Anna Raynsford | Unit Publicist |
Crew | Caitriona Ward | Unit Publicist |
Camera | Tom Collins | Still Photographer |
Sound | John Fitzgerald | Sound Re-Recording Mixer |
Sound | Michelle Cunniffe | Sound Re-Recording Mixer |
Sound | Caoimhe Doyle | Foley Artist |
Sound | Andrea King | Foley Artist |
Sound | Jean McGrath | Sound Recordist |
Sound | Neil Conlon | Sound Recordist |
Sound | Gerard Roche | Sound Recordist |
Sound | Andy Keenan | Orchestrator |
Writing | Neil Jordan | Story |
Production | Elinor Day | Associate Producer |
Production | John Erraught | Associate Producer |
Production | Hanno Huth | Executive Producer |
Production | Neil Jordan | Producer |
Production | Redmond Morris | Producer |
Production | Rod Stoneman | Executive Producer |
Production | Romany Turner | Associate Producer |
Production | Paul Webster | Executive Producer |
Production | Stephen Woolley | Producer |