It is no wonder that Met audiences have gone wild over Karita Mattila’s sizzling Salome. Indisputably one of the greatest Salomes of our time, Mattila utterly incarnates Oscar Wilde’s petulant, willful, and lust-driven heroine. With Strauss’s groundbreaking music magnifying the degenerate atmosphere and building the erotic tension, this is one opera that is as shocking today as it was at its premiere in 1905.
| Sound | Patrick Summers | Conductor |
| Sound | Jay David Saks | Music Producer |
| Production | Peter Gelb | Executive Producer |
| Art | Santo Loquasto | Set Designer |
| Crew | Doug Varone | Choreographer |
| Directing | Barbara Willis Sweete | Director |
| Costume & Make-Up | Santo Loquasto | Costume Designer |
| Production | Mia Bongiovanni | Supervising Producer |
| Production | Louisa Briccetti | Producer |
| Crew | Ron Washburn | Technical Supervisor |
| Sound | Richard Strauss | Original Music Composer |
| Production | Victoria Warivonchik | Producer |
| Production | Elena Park | Supervising Producer |
| Writing | Hedwig Lachmann | Writer |
| Art | Jürgen Flimm | Production Design |
| Lighting | James F. Ingalls | Lighting Design |
| Writing | Oscar Wilde | Theatre Play |
