Ruben and Robby are twin brothers, adopted by Mona, one of the wealthiest - and most eccentric - women in Santa Barbara. Ruben is devoted to Mona, but Robby is more devoted to her money. So when Mona leaves her fortune and estate to Ruben it starts a battle between brothers that soon leads to madness, mayhem, and even attempted murder. On Ruben's side is Lou Perilli an ex-Chicago cop and used car dealer who knows the law - and how to get around it. On Robby's side is ruthless businessman Reed Tyler, who is out to turn a swift profit on Mona's property. Walking a shifty line between them is Eddie Agopian, the family lawyer, who doesn't care which side wins as long as he's on the winner's side. But whether they're stealing big or stealing little, they're all stealing in this hilarious comedy about greed, power... and brotherly love.
Production | Amanda Mackey | Casting |
Production | Cathy Sandrich Gelfond | Casting |
Art | Michael D. Haller | Production Design |
Art | Gene Serdena | Set Decoration |
Crew | Roy Arbogast | Special Effects Coordinator |
Crew | Jeff Habberstad | Stunt Coordinator |
Costume & Make-Up | Jodie Lynn Tillen | Costume Design |
Production | Fred C. Caruso | Producer |
Writing | Andrew Davis | Screenplay |
Directing | Andrew Davis | Director |
Production | Andrew Davis | Producer |
Writing | Andrew Davis | Story |
Editing | Tina Hirsch | Editor |
Sound | Greg P. Russell | Sound Re-Recording Mixer |
Costume & Make-Up | Rick Sharp | Makeup Supervisor |
Writing | Frank Ray Perilli | Story |
Editing | Don Brochu | Editor |
Camera | Frank Tidy | Director of Photography |
Production | Mel Pearl | Executive Producer |
Sound | William Olvis | Original Music Composer |
Costume & Make-Up | Steve Artmont | Makeup Artist |
Sound | Rick Canelli | ADR Recordist |
Crew | Spiro Razatos | Stunts |
Camera | Steven Frohardt | Key Grip |
Camera | Frank Miller | Camera Operator |
Art | Mark Zuelzke | Art Direction |
Crew | Rick LeFevour | Stunt Double |
Sound | Jeffrey J. Haboush | Sound Re-Recording Mixer |
Sound | Kevin E. Carpenter | Sound Re-Recording Mixer |
Camera | Mark Combs | Best Boy Grip |
Art | Eric J. Bates | Property Master |
Writing | Lee Blessing | Screenplay |
Writing | Jeanne Blake | Screenplay |
Writing | Terry Kahn | Screenplay |
Camera | Richard Foreman Jr. | Still Photographer |
Lighting | Austin Goss | Chief Lighting Technician |
Visual Effects | Peter Donen | Visual Effects Supervisor |
Sound | Carolyn Tapp | Foley Recordist |
Sound | Douglas Greenfield | Dolby Consultant |
Sound | Mary Jo Lang | Foley Mixer |
Writing | Teresa Tucker-Davies | Story |
Directing | Melanie Mander | Script Supervisor |
Directing | Dru Anne Carlson | Script Supervisor |
Camera | Robert Ulland | Camera Operator |
Camera | Robert Ulland | Steadicam Operator |
Costume & Make-Up | Violet Ortiz | Hairstylist |
Sound | Scott D. Smith | Production Sound Mixer |
Camera | Robert C. Carlson | First Assistant Camera |
Costume & Make-Up | Robert Chase | Costume Supervisor |
Editing | Bob Putynkowski | Color Timer |
Crew | Julie Arenal | Choreographer |
Sound | Dale R. Janus | Boom Operator |
Crew | Michael Battaglia | Unit Publicist |
Art | David W. Ford | Leadman |
Sound | Thomas J. O'Connell | ADR Mixer |
Camera | Donald Carlson | First Assistant Camera |
Camera | Andreas Crawford | Dolly Grip |
Costume & Make-Up | Lucinda Campbell | Costume Supervisor |
Camera | Richard Sobin | Second Assistant Camera |