In 1960, American dancer and actor Gene Kelly created for the Paris Opera Ballet an original choreography that was highly acclaimed at the time, yet rarely performed thereafter; a genius work that the Scottish Ballet, accompanied by the stirring and evocative score by composer and pianist George Gershwin, epitome of orchestral jazz, brings back to life sixty years later.
| Crew | Gene Kelly | Choreographer |
| Crew | Christopher Hampson | Choreographer |
| Directing | Oscar Sansom | Director |
| Sound | George Gershwin | Music |
| Sound | Frédéric Chopin | Music |
| Sound | Jean-Claude Picard | Conductor |
| Writing | Christopher Hampson | Scenario Writer |
| Art | Lez Brotherston | Production Design |
| Lighting | Lawrie Mclennan | Lighting Design |
| Crew | Patricia Ward Kelly | Creative Consultant |
| Production | Steven Roth | Executive Producer |
| Production | Kate Carter | Executive Producer |
| Production | Tony Currie | Producer |
| Production | Beth Allan | Producer |
| Camera | David Liddell | Director of Photography |
| Camera | Jamie Quantrill | Camera Operator |
| Camera | Sean Corbett | Steadicam Operator |
| Camera | Gavin White | Camera Operator |
| Lighting | Graham Kocjan | Gaffer |
| Camera | Aaron Boucher | Key Grip |
| Sound | Jonathon McLoone | Sound Recordist |
| Sound | Andrew King | Sound Engineer |
| Art | Isabel Forbes | Art Direction |
| Costume & Make-Up | Gillian Johnston | Makeup Artist |
| Costume & Make-Up | Gillian Johnston | Hairstylist |
| Costume & Make-Up | Madeleine Drewell | Makeup Artist |
| Costume & Make-Up | Madeleine Drewell | Hairstylist |
| Production | Anna Dawson | Casting |
| Editing | Ciaran Lyons | Editor |
| Editing | Kieran Howe | Assistant Editor |
| Sound | William Aikman | Sound Designer |
| Sound | William Aikman | Sound Mixer |
| Camera | Gavin Smart | Still Photographer |
