Victoria is a republican widow who enters in the prison of Saturrarán (Vizcaya), place where an experiment of the Franco regime takes part: the separation of children from their mothers to give them up for adoption to families close to the regime, in order to break the chains of communism.
| Directing | Mikel Rueda | Director |
| Production | Eduardo Barinaga | Producer |
| Sound | José Ramón Gutiérrez | Music |
| Crew | Gonzalo F. Berridi | Cinematography |
| Editing | Alex Argoitia | Editor |
| Art | Peio Villalba | Art Direction |
| Costume & Make-Up | Josune Lasa | Costumer |
| Costume & Make-Up | Eva Alfonso | Makeup Department Head |
| Costume & Make-Up | Kizkitza Retegi | Assistant Makeup Artist |
| Costume & Make-Up | Carmen Veinat | Makeup Artist |
| Production | Asier Bilbao | Production Manager |
| Production | Mikel Huércanos | Unit Production Manager |
| Directing | Angie Paul Risque | Third Assistant Director |
| Directing | Julen Robles | Assistant Director |
| Art | Javier López Antía | Property Master |
| Crew | Jon Lopez | Carpenter |
| Crew | Iñaki Sueskun | Carpenter |
| Sound | Pablo Bueno | Sound |
| Sound | Unai Giménez | Sound Assistant |
| Sound | Haritz Lete | Sound Mixer |
| Sound | Néstor Luz Lacasa | Boom Operator |
| Sound | Jaume Puig | Dolby Consultant |
| Sound | Iñigo Tena | Boom Operator |
| Crew | Mariano García | Special Effects Technician |
| Visual Effects | Jon Serrano | Special Effects Supervisor |
| Visual Effects | Alex Argoitia | Visual Effects |
| Lighting | Ricardo Aranburu | Gaffer |
| Camera | Sonia Eguren | Second Assistant Camera |
| Camera | Jon Elizegui | First Assistant Camera |
| Crew | Jon Goitia | Video Assist Operator |
| Crew | Ainhoa Morales | Video Assist Operator |
| Lighting | Gorka Zudaire | Electrician |
| Directing | Iratxe Pérez | Script Supervisor |
| Editing | Miguel P. Gilaberte | Digital Intermediate Colorist |
| Production | Pedro Lozano | Production Coordinator |
| Crew | Guillermo Peña Jr. | Telecine Colorist |
| Writing | Mikel Rueda | Writer |