This Australian crime drama chronicles the life of notorious, keen witted, acid tongued 1920s Melbourne gangster Squizzy Taylor. Wormy and diminutive, yet cunning and determined small-time hoodlum Squizzy Taylor rises to prominence and popularity in Melbourne, Australia in the 1920's. Squizzy romances brash moll Dolly and works for bookie Henry Stokes before branching out on his own while being hounded by the police and courted by the press the whole time.
| Writing | Roger Simpson | Writer |
| Directing | Kevin James Dobson | Director |
| Costume & Make-Up | Jane Hyland | Costume Design |
| Directing | Paul Healey | Second Assistant Director |
| Crew | Dan Burstall | Cinematography |
| Sound | Steve Lambeth | Sound Editor |
| Sound | Phil Stirling | Sound Recordist |
| Art | Logan Brewer | Production Design |
| Sound | Phil Heywood | Recording Supervision |
| Sound | Bruce Smeaton | Music |
| Camera | Peter M. Kershaw | Grip |
| Crew | Conrad Rothmann | Special Effects Coordinator |
| Sound | Robin Gray | Music Score Producer |
| Sound | Peter Fenton | Sound Mixer |
| Costume & Make-Up | Sandi Cichello | Costumer |
| Production | Roger Simpson | Executive Producer |
| Directing | Philip Hearnshaw | Assistant Director |
| Editing | David Pulbrook | Editor |
| Production | Roger Le Mesurier | Producer |
| Crew | Peter McBain | Projection |
| Camera | Suzy Wood | Still Photographer |
| Camera | Dan Burstall | Camera Operator |
| Camera | Warwick Field | Clapper Loader |
| Camera | Barry Helleren | Focus Puller |
| Camera | Paul Ammitzboll | Key Grip |
| Editing | Brett Southwick | Assistant Editor |
| Crew | David Atkins | Choreographer |