Locked up for a minor crime, 19 year old JR quickly learns the harsh realities of prison life. Protection, if you can get it, is paramount. JR soon finds himself under the watchful eye of Australia's most notorious criminal, Brendan Lynch, but protection comes at a price.
| Directing | Julius Avery | Director |
| Writing | Julius Avery | Writer |
| Costume & Make-Up | Terri Lamera | Costume Design |
| Art | Meredith Hussey | Art Department Coordinator |
| Production | Nikki Barrett | Casting |
| Camera | Nigel Bluck | Director of Photography |
| Art | Fiona Crombie | Production Design |
| Production | Timothy White | Producer |
| Art | Sophie Nash | Art Direction |
| Editing | Jack Hutchings | Editor |
| Art | Kristen Anderson | Set Designer |
| Sound | Jed Kurzel | Original Music Composer |
| Production | Aidan O'Bryan | Executive Producer |
| Production | John Collee | Executive Producer |
| Production | Richard East | Executive Producer |
| Production | Aaron L. Gilbert | Executive Producer |
| Production | Janelle Landers | Co-Producer |
| Production | Michael Spiccia | Executive Producer |
| Production | Bryce Menzies | Executive Producer |
| Crew | John Collee | Additional Writing |
| Camera | David Dare Parker | Still Photographer |
| Sound | William Ward | Supervising Sound Editor |
| Editing | Matthew T. Griffin | Digital Intermediate |
| Lighting | Adam Hunter | Gaffer |
| Sound | Sam Hayward | Sound Re-Recording Mixer |
| Directing | Melissa Hayward | Script Supervisor |
| Crew | Laurie Hughes | Visual Effects Editor |
| Visual Effects | Mark Holman Harris | Visual Effects Supervisor |
| Sound | Robert Mackenzie | Sound Re-Recording Mixer |
| Production | Natalie Wall | Casting Associate |
| Editing | Katherine Heads | Digital Intermediate |
| Visual Effects | Peter Stubbs | Special Effects Supervisor |
| Camera | Jim Frater | Steadicam Operator |
| Sound | Stuart Morton | Sound Effects Editor |
| Crew | John Fox | Armorer |
| Lighting | Jean Vandermeiren | Gaffer |
| Crew | Trevor Hope | Sound Recordist |
| Costume & Make-Up | Wendy De Waal | Makeup Designer |
| Camera | Jim Frater | Underwater Camera |
| Production | Laura Bock | Extras Casting |
| Crew | Rick Reid | Marine Coordinator |
| Art | Finn Spencer | Title Designer |
| Sound | Blair Slater | Foley Mixer |
| Crew | Brooke Wilkins | Unit Publicist |
| Sound | Aron Dyer | Boom Operator |
| Sound | Matt Lovell | Music Editor |
| Sound | Jenny T. Ward | Supervising Dialogue Editor |
| Editing | Amee Nicol | Assistant Editor |
| Editing | Laurie Hughes | Assistant Editor |
| Art | Peter Savieri | Storyboard Artist |
| Sound | Dan Johnston | Foley Artist |
| Camera | Adam Kuiper | Key Grip |
| Lighting | Mark McCumber | Lighting Technician |
| Production | Nelson Khoury | Location Manager |
| Costume & Make-Up | Simone Lee | Makeup & Hair |
| Sound | Mick Boraso | Assistant Sound Editor |
| Sound | Leah Katz | Dialogue Editor |
| Sound | Jennifer Taunton | Music Supervisor |
| Art | Sophie Durham | Property Master |
| Sound | Thom Kellar | Assistant Sound Editor |
| Costume & Make-Up | Peta Hastings | Key Makeup Artist |
| Sound | Andrew Simmons | Foley Editor |
| Sound | Andy Newton | Boom Operator |
| Lighting | Guang-Hui Chuan | Electrician |
| Editing | John Erasmus | Assistant Editor |
| Sound | Duncan McAllister | Foley Recordist |
| Costume & Make-Up | Lauren Widdicombe | Costume Assistant |
| Costume & Make-Up | Andrea Hood | Key Costumer |
| Crew | Ashley Williams | Aerial Coordinator |
| Production | James Dean | Executive Producer |
| Production | Ben Breen | Production Accountant |
| Crew | Sarah Shepherd | Dialect Coach |
