Set in a bustling alleyway during the Japanese occupation of Shanghai in the 1940s, the film centres on a wife, Zhan Zhou, who was being charged with the bloody dismemberment of her husband – a killing that seems impossible for her to have committed alone. The murder thrusts Zhan into the spotlight and the court of public opinion, forcing her towards a fate intertwined with that of her own country.
| Directing | Peter Chan | Director |
| Writing | Jiang Feng | Screenplay |
| Writing | Shang Yang | Screenplay |
| Writing | Shi Ling | Screenplay |
| Camera | Jake Pollock | Director of Photography |
| Costume & Make-Up | Dora Ng Lei-Lo | Costume Designer |
| Sound | Natalie Holt | Original Music Composer |
| Writing | Pan Yiran | Screenplay |
| Art | Li Sun | Production Design |
| Editing | William Chang Suk-Ping | Editor |
| Editing | Yibo Zhang | Editor |
| Sound | Nopawat Likitwong | Sound Designer |
| Sound | Jiang Wu | Sound Designer |
| Sound | Yu Fei | Music Producer |
| Production | Zhang Ziyi | Producer |
| Production | Peter Chan | Producer |
| Production | Jojo Hui Yuet-Chun | Producer |
| Production | Derek Tsang | Producer |
| Production | Bill Kong Chi-Keung | Producer |
| Production | Jason Siu Kim-Chau | Producer |
| Directing | Han Shuai | Co-Director |
| Art | Li Sun | Art Designer |
