HARRISON is an optimist with a history of schizophrenia and a limited social circle who battles the diverse and unpredictable voices he hears, a judgemental society and the hazards of social media as he attempts to make a new friend. To manage the voices, he projects them into his childhood toys: SMILING HERBERT contains the voice of rage, MOLLY is the voice of paranoia, BEAN represents irrepressible sexual thoughts, CONRAD speaks the bare facts, MARROW provides an indecipherable mumble and MOUSEY is the sound of panic. When Harrison happens upon the philanthropic online posts of the beautiful social media addict, AMBER, and she blindly accepts his “chum request”, Harrison sees this as the beginning of a beautiful friendship, but is it...?
| Crew | Phil Moreton | Cinematography |
| Visual Effects | Andy Lee | Color Designer |
| Sound | Ean Currie | Boom Operator |
| Camera | Rita Conry | Camera Operator |
| Writing | Tim Prescott | Writer |
| Writing | Miriam Rodriguez | Writer |
| Visual Effects | Tim Prescott | Visual Effects |
| Production | Miriam Rodriguez | Producer |
| Costume & Make-Up | Ann Tillinghast | Hairstylist |
| Camera | Jack Daniel Mills | Camera Operator |
| Sound | Ean Currie | Music |
| Art | Daniel Mangham | Production Design |
| Crew | Ean Currie | Sound Recordist |
| Crew | Tony Maher | Post-Production Manager |
| Directing | Tim Prescott | Director |
| Crew | Laura Smith | Post-Production Manager |
| Editing | Tim Prescott | Editor |
| Visual Effects | Chris Young | Visual Effects |
| Directing | Miriam Rodriguez | Assistant Director |
| Sound | Ean Currie | Sound Mixer |
| Costume & Make-Up | Ann Tillinghast | Makeup Artist |
| Sound | Ean Currie | Sound Editor |
| Visual Effects | Miguel Caamaño Riveiro | Visual Effects |
| Crew | Rob Hunt | Stunt Coordinator |
| Crew | Ricky Wood | Post Production Supervisor |
| Production | Miriam Rodriguez | Production Coordinator |
| Art | Lucy Isdale | Production Design |
| Production | Miriam Rodriguez | Production Manager |
