When journalist Dennis gets assigned to write about Pretty Woman for Marquee magazine's “Hooray for Hollywood Hookers” issue, he invites five friends over to screen, celebrate and skewer the modern-day Cinderella story. The partiers include his roommate Tony, a burnt-out cruise ship crooner who's desperately looking for a new gig on land; Lauren, a relationship-challenged aspiring stand-up comic; Marcos, a sweet-natured attorney who never met a tangent he couldn't go off on; Ross, an Opera-loving video clerk with multiple tattoos and arsenal of movie fun facts at the ready; and Dr. Beverly Beaverman, the shrink next door who finds Freudian psychological meanings in everything she sees. Together, they do their best to make sense of the 1990 Richard Gere-Julia Roberts romantic comedy classic while discovering that the movie's themes—sex, money, sex for money—resonate in their lives in ways both ridiculous and profound.
| Directing | Chil Kong | Director |
| Production | John Carrozza | Line Producer |
| Production | Stephanie Chang | Associate Producer |
| Production | James Cude | Consulting Producer |
| Production | Dennis Hensley | Executive Producer |
| Production | Chil Kong | Producer |
| Production | Doug Prinzivalli | Producer |
| Crew | Ivan Corona | Cinematography |
| Editing | James Cude | Editor |
| Production | Stephanie Chang | Casting |
| Art | Doug Prinzivalli | Production Design |
| Costume & Make-Up | Ivy Chou | Costume Design |
| Costume & Make-Up | Nalo Jones | Makeup Artist |
| Costume & Make-Up | Stephanie Kae Panek | Makeup Artist |
| Production | Chelsea Huff | Unit Production Manager |
| Directing | Chelsea Huff | First Assistant Director |
| Directing | Mike Mannarino | Second Assistant Director |
| Sound | Joseph H. Shim | Production Sound Mixer |
| Writing | Dennis Hensley | Writer |
