After the murder of his beloved wife, a man in search of redemption is set adrift in a world where nothing is as it seems. On his journey, he befriends slacker Jimmy "The Finn", becomes involved in rescuing his neighbor Colette from her own demons, and gets entangled in a web of deceit full of unexpected twists and turns.
| Writing | Tony Gayton | Screenplay |
| Production | Butch Robinson | Producer |
| Sound | Thomas Newman | Original Music Composer |
| Directing | D. J. Caruso | Director |
| Editing | Jim Page | Editor |
| Production | Frank Darabont | Producer |
| Camera | Amir Mokri | Director of Photography |
| Costume & Make-Up | Bill Corso | Makeup Department Head |
| Production | Eriq La Salle | Producer |
| Art | Douglas Cumming | Art Direction |
| Production | Ken Aguado | Producer |
| Costume & Make-Up | Karyn Wagner | Costume Design |
| Production | Jim Behnke | Production Manager |
| Production | Alison Harstedt | Production Supervisor |
| Directing | Tony Adler | First Assistant Director |
| Art | Amanda Moss Serino | Set Decoration |
| Production | Jim Behnke | Executive Producer |
| Production | Deborah Aquila | Casting |
| Art | Tom Southwell | Production Design |
| Crew | Christy Dimmig | Post-Production Manager |
| Production | Rob Gibson | Location Manager |
| Sound | Eric Bretter | Sound Recordist |
| Costume & Make-Up | Leslie Sungail | Key Costumer |
| Production | Bob Berkus | Location Manager |
| Crew | Ruth Auerbach | Studio Teachers |
| Costume & Make-Up | Norma Lee | Hairstylist |
| Crew | Darrell Pritchett | Special Effects Coordinator |
| Art | Greg Wilkinson | Leadman |
| Camera | John Grillo | First Assistant Camera |
| Editing | Tracey Wadmore-Smith | First Assistant Editor |
| Crew | David Aaron | Armorer |
| Art | Steve Borgese | Greensman |
| Art | Eric Sundahl | Set Designer |
| Sound | Mary Andrews | Dialogue Editor |
| Lighting | George A. Hock | Rigging Gaffer |
| Camera | Daniel C. Gold | Camera Operator |
| Crew | Roland Bleitz | Armorer |
| Crew | David Fanderlik | Propmaker |
| Editing | Vince Filippone | First Assistant Editor |
| Directing | Susan Malerstein | Script Supervisor |
| Art | Larry Guy Clause | Construction Foreman |
| Sound | Petra Bach | Dialogue Editor |
| Sound | Howell Gibbens | Supervising Sound Editor |
| Sound | George Simpson | Sound Effects Editor |
| Camera | Chris Haarhoff | Steadicam Operator |
| Lighting | Joseph F. Warren | Gaffer |
| Costume & Make-Up | Alison Gail Bixby | Costume Supervisor |
| Art | Tim Gomes | Painter |
| Art | Kent Johnson | Art Department Coordinator |
| Sound | Thom Brennan | Foley Editor |
| Crew | Manny Perry | Stunt Coordinator |
| Camera | Stephen Vaughan | Still Photographer |
| Lighting | Greg Cantrell | Best Boy Electric |
| Production | Shari LaFranchi Blakney | Production Coordinator |
| Crew | Thomas John McGowan | Studio Teachers |
| Crew | Jack Tice | Studio Teachers |
| Sound | Elizabeth Kenton | Supervising ADR Editor |
| Lighting | Kris Guthrie | Rigging Grip |
| Camera | David Pearlberg | Dolly Grip |
| Lighting | Morten Petersen | Lighting Technician |
| Sound | Thomas Pasatieri | Orchestrator |
| Sound | Mark A. Mangini | Sound Effects Designer |
| Lighting | Max Pomerleau | Chief Lighting Technician |
| Crew | Judith M. Brown | Studio Teachers |
| Costume & Make-Up | Patricia Miller | Key Hair Stylist |
| Costume & Make-Up | Ashlee Petersen | Key Makeup Artist |
| Art | Kenneth Garrett | Sculptor |
| Art | Lynda Reiss | Property Master |
| Camera | Richard Mall | Key Grip |
| Sound | Bill Bernstein | Music Editor |
| Costume & Make-Up | Ken Diaz | Tattoo Designer |
| Art | John R. Elliott | Construction Coordinator |
| Sound | Bill Shotland | Boom Operator |
| Camera | Philippe Carr-Forster | Camera Operator |
| Crew | Henry Kingi | Stunts |
| Crew | Bob Brown | Stunts |
| Crew | Danny Wynands | Stunts |
| Crew | Tim Trella | Stunts |
| Crew | Doc Duhame | Stunts |
