London, England, November 5th, 1892, Guy Fawkes Night. The famous playwright Oscar Wilde and his lover Lord Alfred Douglas discreetly go to a luxury brothel where the owner, Alfred Taylor, has prepared a surprise for the renowned author: a private and very special performance of his play Salome, banned by the authorities, in which Taylor himself and the peculiar inhabitants of the exclusive establishment will participate.
Writing | Oscar Wilde | Theatre Play |
Directing | Ken Russell | Director |
Writing | Ken Russell | Screenplay |
Camera | Mike Evans | Focus Puller |
Costume & Make-Up | Diane Murphy | Wardrobe Assistant |
Sound | Tracey Sheffield | Foley Editor |
Production | Penny Corke | Producer |
Costume & Make-Up | Liz Michie | Key Hairdresser |
Sound | Martin Culverwell | Sound Engineer |
Costume & Make-Up | Michael Jeffery | Costume Designer |
Art | Ron Allett | Property Master |
Costume & Make-Up | Sallie Evans | Assistant Makeup Artist |
Costume & Make-Up | Sula Loizou | Assistant Makeup Artist |
Sound | John Chandler | Boom Operator |
Sound | John Ireland | Sound Editor |
Directing | Trevor Puckle | Third Assistant Director |
Art | Ella Cottrell | Property Buyer |
Costume & Make-Up | Daphne Vollmer | Hairdresser |
Art | Christopher Hobbs | Set Designer |
Art | Paul Turner | Standby Property Master |
Sound | Simon Manley | Assistant Sound Editor |
Production | Dan Ireland | Executive Producer |
Costume & Make-Up | Michael Jeffery | Wardrobe Supervisor |
Costume & Make-Up | Mark Nelson | Assistant Hairdresser |
Sound | Jean Sheffield | Foley Editor |
Editing | Timothy Gee | Editor |
Camera | Clive Coote | Still Photographer |
Costume & Make-Up | Yvonne Coppard | Makeup Artist |
Costume & Make-Up | Maureen Stephenson | Assistant Makeup Artist |
Costume & Make-Up | Michael Jeffery | Hair Designer |
Directing | Mike Gowans | First Assistant Director |
Production | Winnie Wishart | Production Coordinator |
Art | Denise Ruben | Set Dresser |
Sound | Brian Saunders | Sound Re-Recording Assistant |
Production | Robert Littman | Co-Producer |
Sound | Andy Nelson | Sound Re-Recording Mixer |
Costume & Make-Up | Catherine Halloran | Wardrobe Assistant |
Costume & Make-Up | Pay Hay | Key Makeup Artist |
Camera | Harvey Harrison | Director of Photography |
Production | Nicky Bowen | Assistant Accountant |
Production | Rebecca Howard | Casting Director |
Production | William J. Quigley | Executive Producer |
Directing | Jerry Daly | Second Assistant Director |
Sound | Ray Beckett | Sound Mixer |
Costume & Make-Up | Michael Annals | Costume Designer |
Crew | Wanda Rokicki | Choreographer |
Production | Rebecca West | Producer's Assistant |
Art | Michael Buchanan | Art Direction |
Crew | Arlene Phillips | Choreographer |
Directing | Melinda Rees | Script Supervisor |
Camera | Dean Morris | Clapper Loader |
Camera | Gareth Hall | Assistant Camera |
Art | Steve Ede | Construction Manager |
Sound | Sean Cotter | Music Editor |
Production | Ronaldo Vasconcellos | Associate Producer |
Camera | Mark Ellis | Key Grip |
Lighting | Denis Brock | Gaffer |
Editing | Keith Lowes | First Assistant Editor |
Sound | Dick Lewzey | Music Editor |
Art | Michael Buchanan | Production Design |
Production | Robert Littman | Co-Producer |
Costume & Make-Up | Pat Hay | Makeup Supervisor |
Costume & Make-Up | Liz Michie | Hairstylist |
Costume & Make-Up | Daphne Vollmer | Hairstylist |