Reporter Patsy Reynolds and photographer Eddie Porter are assigned to interview John Foster, head of the Emmerson Foundation regarding a listening device the organization is working on. Foster evades them and they to the lab to see Professor Reynolds, the real inventor. Soon, they are involved in several shootings, blueprints that change hands several times, a corpse in their car that appears and disappears a few times, the loss of their jobs and several people who either think they are killers or candidates for being killed.
Production | Sean McKittrick | Producer |
Production | Michael Ohoven | Producer |
Camera | Ira H. Morgan | Director of Photography |
Art | Harry Reif | Set Decoration |
Crew | Ray Mercer | Special Effects |
Writing | John T. Neville | Screenplay |
Editing | Fred Bain | Editor |
Sound | Frank McWhorter | Sound Engineer |
Art | George Bahr | Property Master |
Directing | Albert Herman | Director |
Sound | Lee Zahler | Music Director |
Art | Paul Palmentola | Art Direction |
Directing | Lou Perlof | Assistant Director |
Costume & Make-Up | George Gray | Makeup Artist |