Shane Tanner, the son of a legendary cooler named Dalton, learns that his uncle Nate got beat up by a group of men because he doesn't want to sell his bar, The Black Pelican, to a bunch of drug dealers. To help out his uncle, Shane teams up with local school teacher Beau Hampton, who is a regular at the Black Pelican, and takes down the baddies.
| Production | Mary Margiotta | Casting |
| Production | Karen Margiotta | Casting |
| Costume & Make-Up | Beverly Safier | Costume Designer |
| Sound | Amotz Plessner | Original Music Composer |
| Editing | Edgar Burcksen | Editor |
| Art | Phil Dagort | Production Design |
| Camera | Thomas L. Callaway | Director of Photography |
| Production | Nick Stamos | Co-Producer |
| Production | Kimberly Calhoun Boling | Executive Producer |
| Production | Malcolm Petal | Executive Producer |
| Production | Yoram Pelman | Producer |
| Writing | R. Lance Hill | Characters |
| Writing | Miles Chapman | Story |
| Writing | Miles Chapman | Screenplay |
| Writing | Johnathon Schaech | Screenplay |
| Writing | Richard Chizmar | Screenplay |
| Directing | Scott Ziehl | Director |
| Crew | J.J. Perry | Stunt Coordinator |
| Crew | Sam Hargrave | Utility Stunts |
| Crew | Chuck 'Chaz' Hosack | Utility Stunts |
| Crew | Dennis Keiffer | Utility Stunts |
| Crew | Sophia M. Crawford | Utility Stunts |
| Crew | Karin Silvestri | Utility Stunts |
| Crew | Jeff Galpin | Utility Stunts |
| Crew | Patrick Moore | Utility Stunts |
| Production | Yoram Pelman | Unit Production Manager |
| Directing | Michael Amundson | First Assistant Director |
| Directing | James Roque Jr. | Second Assistant Director |
| Crew | Larry Ferguson Jr. | Post Production Supervisor |
| Sound | Patrick M. Griffith | Supervising Sound Editor |
| Camera | Michael Applebaum | "A" Camera Operator |
| Camera | Robert Schierer | First Assistant Camera |
| Camera | Lisa Lengyl | Second Assistant Camera |
| Camera | Daniel Tkaczyk | Second Assistant Camera |
| Camera | Jonathan Robinson | Additional Second Assistant Camera |
| Camera | John Richie | Camera Loader |
| Camera | Patti Perret | Still Photographer |
| Sound | Richard Schexnayder | Production Sound Mixer |
| Sound | Jimmy Armstrong | Boom Operator |
| Sound | Jamey Osborne | Utility Sound |
| Directing | Melinda Taksen | Script Supervisor |
| Art | Raymond Pumilia | Set Decoration |
| Art | Jay Pelissier | Art Direction |
| Art | Gustavo Coto | Leadman |
| Art | Danny Maes | Set Dresser |
| Art | Danny Nick | Set Dresser |
| Art | Chris Britt | Set Dresser |
| Art | Mike Dares | Set Dresser |
| Art | Sam Lothridge | Set Dresser |
| Art | Caleb Guillotte | Art Department Coordinator |
| Art | Bradley Wisham | Construction Coordinator |
| Art | Leonard Marchand | Property Master |
| Art | Jon Graubarth | Assistant Property Master |
| Costume & Make-Up | Paul Anthony Morris | Key Hair Stylist |
| Costume & Make-Up | Krystal Kershaw | Hairstylist |
| Costume & Make-Up | Theresa A. Fleming | Hairstylist |
| Costume & Make-Up | Myke Michaels | Key Makeup Artist |
| Costume & Make-Up | Robin Mathews | Makeup Artist |
| Costume & Make-Up | Lauren Thomas | Assistant Makeup Artist |
| Costume & Make-Up | Elaine Varnes | Key Set Costumer |
| Costume & Make-Up | Renee Dodson | Set Costumer |
| Costume & Make-Up | S. Aimee Helms | Costume Assistant |
| Production | Nita Wilson | Production Coordinator |
| Production | Jason Reppert | Assistant Production Coordinator |
| Production | Elston Howard III | Location Manager |
| Production | Deven Schruff | Assistant Location Manager |
| Directing | George Bott | Second Second Assistant Director |
| Production | Toni Cobb Brock | Local Casting |
| Production | Sally Allen | Local Casting |
| Production | Elizabeth Coulon | Extras Casting |
| Production | Ryan Glorioso | Extras Casting Assistant |
| Lighting | Sean Finnigan | Chief Lighting Technician |
| Lighting | Scott Zuchowski | Best Boy Electric |
| Lighting | Chris A. Trosclair | Rigging Gaffer |
| Lighting | Steven Zieger | Rigging Gaffer |
| Camera | Richard Ball | Key Grip |
| Camera | Mike Bonnett | Best Boy Grip |
| Camera | Kenny Smith | Dolly Grip |
| Crew | Robert Vazquez | Special Effects Coordinator |
| Crew | Pat Tantalo | Special Effects Technician |
| Crew | Matt Neel | Special Effects Assistant |
| Crew | Doug Scaramuzzo | Special Effects Assistant |
| Editing | Rich Evirs | Assistant Editor |
| Sound | Sergio Reyes | Sound Supervisor |
| Sound | Larry Stensvold | Sound Re-Recording Mixer |
| Sound | Stephen Fitzmaurice | Sound Re-Recording Mixer |
| Sound | Steve McCarty | Sound Effects Editor |
| Sound | Stephen M. Galvin | Dialogue Editor |
| Sound | Willy Allen | ADR Supervisor |
| Sound | Paul Drenning | ADR Mixer |
| Sound | Cathleen Rowland | Foley Artist |
| Sound | Galen R. Senogles | Foley Artist |
| Sound | Galen L. Senogles | Foley Artist |
| Sound | Emmit Martin | Music Supervisor |
| Sound | Joseph Magee | Scoring Mixer |
| Sound | Drew DeAscentis | Music Editor |
| Editing | Bruce W. Cathcart | Online Editor |
| Editing | Andrew Drapkin | Colorist |
| Art | Pamela Green | Title Designer |
| Art | Julio Ferrario | Title Designer |
