The Met production easily has the most beautiful staging, designed by Otto Schenck, who also produced the fabulous set for the Met's previous Ring cycle. Kurt Moll is a wonderful Gurnemanz, but compared to his studio recording under Karajan a decade earlier it has lost some of its original velvety body and luster. As Parsifal, Jerusalem is starting to show some wear and tear on his voice at the Met in 1992 as opposed to his prime form at Bayreuth in 1981, but is still quite good; only Placido Domingo could compete with him in the role at that time.
| Directing | Brian Large | Director |
| Sound | Richard Wagner | Original Music Composer |
| Writing | Richard Wagner | Writer |
| Directing | Otto Schenk | Director |
| Sound | James Levine | Conductor |
| Art | Otto Schenk | Production Design |
| Art | Günther Schneider-Siemssen | Set Designer |
| Crew | Günther Schneider-Siemssen | Projection |
| Costume & Make-Up | Rolf Langenfass | Costume Designer |
| Lighting | Gil Wechsler | Lighting Design |
| Directing | Phebe Berkowitz | Stage Director |
| Production | Joseph Volpe | General Manager |
| Art | James Levine | Art Direction |
| Costume & Make-Up | Magda Szayer | Hairstylist |
| Costume & Make-Up | Victor Callegari | Makeup Artist |
| Costume & Make-Up | Millicent Hacker | Wardrobe Master |
| Production | Daniel Anker | Producer |
| Production | Suzanne Gooch | Producer |
| Sound | Jay David Saks | Music Producer |
| Production | Susan Erben | Production Assistant |
| Crew | Ron Washburn | Technical Supervisor |
| Sound | Bill King | Sound Supervisor |
