In a small coastal California town, Henry and Nicky are pals from blue collar families with only a short time before they ship off to World War II. Henry begins romancing new-to-town Caddie Winger, believing her to be wealthy. Mischievous and irresponsible, Nicky gets into trouble which forces the other two to become involved, testing their relationship, as well as the friendship between the boys.
Sound | Dody Dorn | Foley Editor |
Art | David L. Snyder | Production Design |
Camera | John Bailey | Director of Photography |
Costume & Make-Up | Patricia Norris | Costume Design |
Directing | Duncan Henderson | Second Assistant Director |
Sound | Jerry Jost | Sound Mixer |
Art | Jeannine Oppewall | Set Designer |
Writing | Steve Kloves | Screenplay |
Sound | Victoria Rose Sampson | Dialogue Editor |
Production | Wallis Nicita | Casting |
Art | Jerry Wunderlich | Set Decoration |
Crew | Mike H. McGaughy | Stunts |
Sound | Dave Grusin | Music |
Directing | Richard Benjamin | Director |
Directing | William S. Beasley | First Assistant Director |
Editing | Jacqueline Cambas | Editor |
Production | Sherry Lansing | Producer |
Camera | Robert M. Stevens | Camera Operator |
Production | Art Levinson | Production Manager |
Production | Art Levinson | Line Producer |
Production | Art Levinson | Associate Producer |
Camera | Philip D. Schwartz | First Assistant Camera |
Sound | Mel Metcalfe | Sound Re-Recording Mixer |
Sound | Terry Porter | Sound Re-Recording Mixer |
Sound | Doreen A. Dixon | ADR Editor |
Crew | Steven Lambert | Stunts |
Production | John Kohn | Producer |
Editing | Mary Andrews | Assistant Editor |
Art | Pat O'Connor | Property Master |
Directing | Marshall Schlom | Script Supervisor |
Editing | Nicholas James | Editor |
Sound | Nicholas James | Dialogue Editor |
Sound | John Roesch | Foley |
Crew | Victor Paul | Stunt Coordinator |
Sound | Robert Grieve | Supervising Sound Editor |
Sound | J. Paul Huntsman | ADR Editor |
Art | Nigel A. Boucher | Leadman |
Production | Sara Romilly | Producer's Assistant |
Sound | William L. McCaughey | Sound Re-Recording Mixer |
Sound | Pat Suraci | Boom Operator |
Costume & Make-Up | Lillian Barb | Hairstylist |
Sound | Chris Carpenter | Sound Re-Recording Mixer |
Production | Alain Bernheim | Producer |
Sound | Michael Tomack | Sound Effects Editor |
Crew | Garry Elmendorf | Special Effects |
Lighting | Ronald W. McLeish | Gaffer |
Sound | Dennis Drummond | Sound Effects Editor |
Costume & Make-Up | Allan Snyder | Makeup Artist |
Sound | Else Blangsted | Music Editor |
Camera | Ty Suehiro | Best Boy Grip |
Camera | Al LaVerde | Key Grip |
Editing | Bob Noland | Color Timer |
Art | Joe Wood | Construction Coordinator |
Lighting | Michael W. Blymyer | Best Boy Electric |
Crew | Lou Butera | Technical Advisor |
Crew | Pat Green | Stunts |
Crew | Richard Calkins | Stunts |
Camera | Bob Apger | Second Assistant Camera |
Art | Matty Azzarone | Assistant Property Master |
Camera | George R. Schrader | Dolly Grip |
Sound | William Manooch | Sound Recordist |
Art | Frank L. Brown | Leadman |
Sound | Rod Rogers | Assistant Sound Editor |
Crew | Howard A. Small | Transportation Coordinator |
Production | Chriss Strauss | Producer's Assistant |
Production | Elaine Rockett | Producer's Assistant |
Crew | Bruce Bahrenburg | Unit Publicist |
Camera | Len Hekel | Still Photographer |
Art | Dan Curry | Title Designer |
Editing | Ginny Parillo | Negative Cutter |