A group of protesters film a period re-enactment in a dilapidated 18th century house in a last ditch effort to save it from demolition. Through this film-within-a-film device, Paul Mercier’s satirical script gleefully blurs the lines between “real life” and dramatised events, while touching on a dizzying range of themes such as art, historical truth and conservation. The film is fuelled by an anarchic energy and propelled by Mel Mercier’s driving score.
| Directing | Paul Mercier | Director |
| Writing | Paul Mercier | Writer |
| Production | Anne Gately | Producer |
| Production | Adrian O'Sullivan | Executive Producer |